Description

250 years after the painter's birth, this luxurious exhibition catalog offers glimpses into the mystery of Friedrich's largely posthumous popularity as well as the latest research into his training and techniques. Largely ignored during his lifetime, Caspar David Friedrich was a meticulous painter of emotionally evocative landscapes, often featuring solitary figures or groups of people against dramatic scenery. His work inspired many artists until today. This volume explores the role that Berlin's Nationalgalerie played in bringing Friedrich into the forefront of modern art history. It also shines light into Friedrich's remarkable use of pairs in paintings-including his most famous pairing, Monk by the Sea and Abbey in the Oakwood- which he employed to express a range of different perspectives and the concept of change. Finally it examines the latest research into Friedrich's technique: his early training in Copenhagen; his sketches, preparatory drawings and underdrawings; and his unc

Caspar David Friedrich Infinite Landscapes

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250 years after the painter's birth, this luxurious exhibition catalog offers glimpses into the mystery of Friedrich's largely posthumous popularity... Read more

    Publisher: Prestel
    Publication Date: 5/7/2024
    ISBN13: 9783791377438, 978-3791377438
    ISBN10: 3791377434

    Non Fiction , Art & Photography

    Description

    250 years after the painter's birth, this luxurious exhibition catalog offers glimpses into the mystery of Friedrich's largely posthumous popularity as well as the latest research into his training and techniques. Largely ignored during his lifetime, Caspar David Friedrich was a meticulous painter of emotionally evocative landscapes, often featuring solitary figures or groups of people against dramatic scenery. His work inspired many artists until today. This volume explores the role that Berlin's Nationalgalerie played in bringing Friedrich into the forefront of modern art history. It also shines light into Friedrich's remarkable use of pairs in paintings-including his most famous pairing, Monk by the Sea and Abbey in the Oakwood- which he employed to express a range of different perspectives and the concept of change. Finally it examines the latest research into Friedrich's technique: his early training in Copenhagen; his sketches, preparatory drawings and underdrawings; and his unc

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