Description
Book SynopsisTrade Review"Cutting edge. While plenty of books have raised issues of cultural practice and citizenship, few--if any--focus on expressive culture. Pardue has already established himself as a scholar of hip-hop and he brings a depth and richness of experience from his earlier work on Brazil to see the full challenge that Cape Verdean rappers pose not just to Portugal but to Europe and Europeanness."--Marissa Moorman, author of
Intonations: A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times"A compelling interdisciplinary study of identity and citizenship among Cape Verdean rappers based in contemporary Lisbon. Building upon his groundbreaking work on Brazilian hip-hop, Pardue shifts his focus across the Atlantic by incorporating nodal points of the Lusophone triangle (Portugal, Cape Verde, and Brazil) that share common histories based on colonialism and slavery, where hybrid cultures have emerged and complex postcolonial entanglements continue to evolve."--Fernando Arenas, author of
Utopias of Otherness: Nationhood and Subjectivity in Portugal and Brazil"A sharp analysis. The author makes an accurate diagnosis of the poetics of production of political-cultural and identity-related statements, revealing a politics of difference radically permeated by the weight of the postcolonial memory and history in the contemporary Cape Verdean and Portuguese contexts."--Víctor Barros, University of Coimbra
"
Cape Verde, Let's Go! is an interesting and worthwhile study of diasporic racial, linguistic, and musical identity. . . . The book's greatest value. . . . is in bringing attention to an area of Europe--and to European colonial system--that is often eclipsed by focus on England, France, and Spain."--
Anthropology Review Database
