Description

While Pachelbel was highly accomplished as a composer of organ works and Lutheran church music, his Canon in D has long been one of his most celebrated compositions. It combines two time-honoured compositional devices. The first of these is of course the canon, a procedure whereby a melody in one part is strictly imitated by one or more other parts. The second device involves a short bass line (referred to as a ground bass) that is repeated constantly, over which the composer writes continuous variations. In its original form, the work consists of an initial statement of an eight note ground bass, followed by 27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts, an appropriate harmonic background would have been improvised on harpsichord, lute or organ. In the present arrangement, Pachelbel''s note values have been doubled for greater ease of reading, and the work''s canonic structure has been somewhat modified in order t

Canon in D Arranged for Violin and Piano

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While Pachelbel was highly accomplished as a composer of organ works and Lutheran church music, his Canon in D has... Read more

    Publisher: Edition Peters
    Publication Date: 01/12/2001
    ISBN13: 9790300748504, 979-0300748504
    ISBN10: 9790300748504

    Non Fiction , Entertainment

    Description

    While Pachelbel was highly accomplished as a composer of organ works and Lutheran church music, his Canon in D has long been one of his most celebrated compositions. It combines two time-honoured compositional devices. The first of these is of course the canon, a procedure whereby a melody in one part is strictly imitated by one or more other parts. The second device involves a short bass line (referred to as a ground bass) that is repeated constantly, over which the composer writes continuous variations. In its original form, the work consists of an initial statement of an eight note ground bass, followed by 27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts, an appropriate harmonic background would have been improvised on harpsichord, lute or organ. In the present arrangement, Pachelbel''s note values have been doubled for greater ease of reading, and the work''s canonic structure has been somewhat modified in order t

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