Description
Book SynopsisThis collection explores Canadian music’s commentaries on American culture. ‘American Woman, get away from me!’ - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada’s close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music – from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip – to explore the generic borrowings and social criticism, the desires and failures of Canada’s musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.
Table of Contents1. Introduction: Tristanne Connolly and Tomoyuki Iino.- 2.“Something’s lost but something’s gained”: Joni Mitchell and Post-Colonial Lyric: Steve Clark.- 3.The View from Outside: The Band Sing America: Ted Goossen.- 4.Neil Young: Lyrical and Cultural Complexities: Hidetoshi Tomiyama.- 5.“The usual panic in red, white and blue”: Bruce Cockburn’s America: Kevin Hutchings.- 6.“Mean, Mean Pride”: Rush’s Critique of American Cool: Tristanne Connolly.- 7.“Second-Hand Telegram”: Max Webster’s Message to the Masses: Mark Spielmacher.- 8.“Outside Looking In”: Saga’s Progressive Protest: David Taylor.- 9.Tactical Electronic Bodies: Noise and Mutation in Canadian Industrial Music: Jason Whittaker.- 10.Peace, Order and its Discontents: The Tragically Hip: Chris Simons.- 11.“If I can make it there...”: Jann Arden’s American Dream: Veronica Austen.- 12.“Stick it to the Pimp”: Peaches’ Penetration of Postmodern America’s Mainstream: Angus Whitehead.-
