Description

Book Synopsis
The twelve essays in this distinguished collection consider the importance of ancient Greek tragedy as a creative medium. The three main emphases are on tragedy as an institution in the civic life of ancient Greece; on critical interpretations of the texts; and on changing patterns of reception, adaption, and performance from antiquity to present.

Trade Review
'As a resource for teachers it is invaluable … Where else can such a wealth be found in one volume on tragedy?' JACT Review
'Classical scholars will find much to think about … and their students will find it invaluable. [The] book contains chapters that will launch a thousand essays. One may only hope that non-classicists will also be encouraged to explore the world of tragedy.' The Times Literary Supplement
'… an innovative and authoritative work which not only is easily the and paedagogically most useful handbook for the study of this most influential of Greek cultural productions; in addition, the contributors all forward the restless debate on tragedy and its heritage as they delineate it'. The Anglo-Hellenic Review

Table of Contents
List of illustrations; List of contributors; Preface; Plan of the city of Athens; Part I. Tragedy as an Institution: The Historical Context: 1. 'Deep plays': theatre as process in Greek civic life Paul Cartledge; 2. A show for Dionysus P. E. Easterling; 3. The audience of Athenian tragedy Simon Goldhill; 4. The pictorial record Oliver Taplin; Part II. The Plays: 5. The sociology of Athenian tragedy Edith Hall; 6. The language of tragedy: rhetoric and communication Simon Goldhill; 7. Form and performance P. E. Easterling; 8. Myth into mythos: the shaping of tragic plots Peter Burian; Part III. Reception: 9. From repertoire to canon P. E. Easterling; 10. Tragedy adapted for stages and screens: the Renaissance to the present Peter Burian; 11. Tragedy in performance: nineteenth- and twentieth-century productions Fiona Macintosh; 12. Modern critical approaches Simon Goldhill; Glossary; Chronology; Texts, commentaries and translations; Works cited; Index.

Camb Companion to Greek Tragedy

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    A Paperback by P. E. Easterling

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      Publisher: Cambridge University Press
      Publication Date: Publication Date: 10/2/1997 12:00:00 AM
      ISBN13: 9780521423519, 978-0521423519
      ISBN10: 0521423511

      Description

      Book Synopsis
      The twelve essays in this distinguished collection consider the importance of ancient Greek tragedy as a creative medium. The three main emphases are on tragedy as an institution in the civic life of ancient Greece; on critical interpretations of the texts; and on changing patterns of reception, adaption, and performance from antiquity to present.

      Trade Review
      'As a resource for teachers it is invaluable … Where else can such a wealth be found in one volume on tragedy?' JACT Review
      'Classical scholars will find much to think about … and their students will find it invaluable. [The] book contains chapters that will launch a thousand essays. One may only hope that non-classicists will also be encouraged to explore the world of tragedy.' The Times Literary Supplement
      '… an innovative and authoritative work which not only is easily the and paedagogically most useful handbook for the study of this most influential of Greek cultural productions; in addition, the contributors all forward the restless debate on tragedy and its heritage as they delineate it'. The Anglo-Hellenic Review

      Table of Contents
      List of illustrations; List of contributors; Preface; Plan of the city of Athens; Part I. Tragedy as an Institution: The Historical Context: 1. 'Deep plays': theatre as process in Greek civic life Paul Cartledge; 2. A show for Dionysus P. E. Easterling; 3. The audience of Athenian tragedy Simon Goldhill; 4. The pictorial record Oliver Taplin; Part II. The Plays: 5. The sociology of Athenian tragedy Edith Hall; 6. The language of tragedy: rhetoric and communication Simon Goldhill; 7. Form and performance P. E. Easterling; 8. Myth into mythos: the shaping of tragic plots Peter Burian; Part III. Reception: 9. From repertoire to canon P. E. Easterling; 10. Tragedy adapted for stages and screens: the Renaissance to the present Peter Burian; 11. Tragedy in performance: nineteenth- and twentieth-century productions Fiona Macintosh; 12. Modern critical approaches Simon Goldhill; Glossary; Chronology; Texts, commentaries and translations; Works cited; Index.

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