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Book Synopsis

This book offers approaches to the study of Byzantine dress of elites and non-elites, in sacred and secular modes, from the beginning of the Empire in the fourth century until the fifteenth century. Byzantine dress is considered from within and outside of the Empire and examines both artifactual remains as well as emphasizing studies that elucidate Byzantine dress when few or no artifacts exist.

Byzantine Dress: A Guide tackles current conceptual frameworks in the first three chapters and considers identity and sartorial signaling among Byzantines as well as foreigners in images as well as actual items of dress. A second section addresses material considerations, reflecting on construction and its effect on value. The interpretation of archaeological material is analyzed, along with reconstruction and context. Dress as part of ritualsâat court, church, and in various ceremoniesâis the focus of the third section. The final two chapters bring Byzantine dress into conver

Byzantine Dress A Guide

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    A Paperback by Jennifer Ball

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      Publisher: Taylor & Francis
      Publication Date: 12/17/2024
      ISBN13: 9781032787121, 978-1032787121
      ISBN10: 1032787120
      Also in:
      History

      Description

      Book Synopsis

      This book offers approaches to the study of Byzantine dress of elites and non-elites, in sacred and secular modes, from the beginning of the Empire in the fourth century until the fifteenth century. Byzantine dress is considered from within and outside of the Empire and examines both artifactual remains as well as emphasizing studies that elucidate Byzantine dress when few or no artifacts exist.

      Byzantine Dress: A Guide tackles current conceptual frameworks in the first three chapters and considers identity and sartorial signaling among Byzantines as well as foreigners in images as well as actual items of dress. A second section addresses material considerations, reflecting on construction and its effect on value. The interpretation of archaeological material is analyzed, along with reconstruction and context. Dress as part of ritualsâat court, church, and in various ceremoniesâis the focus of the third section. The final two chapters bring Byzantine dress into conver

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