Description

Book Synopsis
Byron is rarely thought of as a spiritual writer. However, as this bold new collection shows, this is the result of an impoverished notion of the ‘spiritual’ and a reflection of biased priorities in Romantic studies. Reflecting on the poet’s claim that ‘immaterialism’s a serious matter’, this interdisciplinary collection of essays, from British and American scholars, calls into question the prevailing ‘materialist’ consensus, and offers a fresh and theoretically inflected reading of Byron’s poetry. Byron’s Ghosts is the first book-length examination of spectrality in Byron’s work. It is on the one hand concerned with what Mary Shelley in her essay ‘On Ghosts’ refers to as ‘the true old-fashioned, foretelling, flitting, gliding ghost’, though it is also a postmodern response to the ‘spectral turn’ in critical theory, which brings into view a range of phantom effects and ‘non-Gothic’ spectres. Focusing attention on these diverse modalities of the ghostly, the specially assembled essays complicate the popular image of Byron as a sceptical or ‘anti-Romantic’ poet and reveal a great deal about his work that could not be uncovered in any other way.

Trade Review
'This is a strong collection of essays on an excellent, and original, topic. Byron's Ghosts manifestly enhances and modifies our understanding of Byron.'
Alan Rawes

Table of Contents
  • Acknowledgements
  • Texts and Abbreviations
  • Introduction: The Re-Enchantment of Romanticism
  • Chapter 1: Determining Unknown Modes of Being: A Map of Byron’s Ghosts and Spirits
  • BERNARD BEATTY
  • Chapter 2: S hades of Being: Byron and the Trespassing of Ontology
  • GAVIN HOPPS
  • Chapter 3: Byron and the Noonday Demons
  • MARY HURST
  • Chapter 4: Conjuration and Exorcism: Byron’s Spectral Rhetoric
  • DALE TOWNSHEND
  • Chapter 5: Byron avec Sade: Material and Spectral Violence in Childe Harold’s Pilgrimage Canto
  • PIYA PAL-LAPINSKI
  • Chapter 6: ‘’Twixt Life and Death’: Childe Harold’s Pilgrimage, Don Juan and the Sublime
  • PHILIP SHAW
  • Chapter 7: Byron, Ann Radcliffe and the Religious Implications of the Explained Supernatural in Don Juan
  • ALISON MILBANK
  • Chapter 8: The Haunting of Don Juan
  • PETER W. GRAHAM
  • Chapter 9: Being neither Here nor There: Byron and the Art of Flirtation
  • CORIN THROSBY
  • Afterword: Blowing on a Dead Man’s Embers: Byron’s Biographical Ghosts
  • PETER ALLENDER
  • Bibliography
  • Notes on Contributors
  • Index

Byron's Ghosts: The Spectral, the Spiritual and

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    A Hardback by Gavin Hopps

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      Publisher: Liverpool University Press
      Publication Date: 11/10/2013
      ISBN13: 9781846319709, 978-1846319709
      ISBN10: 1846319706

      Description

      Book Synopsis
      Byron is rarely thought of as a spiritual writer. However, as this bold new collection shows, this is the result of an impoverished notion of the ‘spiritual’ and a reflection of biased priorities in Romantic studies. Reflecting on the poet’s claim that ‘immaterialism’s a serious matter’, this interdisciplinary collection of essays, from British and American scholars, calls into question the prevailing ‘materialist’ consensus, and offers a fresh and theoretically inflected reading of Byron’s poetry. Byron’s Ghosts is the first book-length examination of spectrality in Byron’s work. It is on the one hand concerned with what Mary Shelley in her essay ‘On Ghosts’ refers to as ‘the true old-fashioned, foretelling, flitting, gliding ghost’, though it is also a postmodern response to the ‘spectral turn’ in critical theory, which brings into view a range of phantom effects and ‘non-Gothic’ spectres. Focusing attention on these diverse modalities of the ghostly, the specially assembled essays complicate the popular image of Byron as a sceptical or ‘anti-Romantic’ poet and reveal a great deal about his work that could not be uncovered in any other way.

      Trade Review
      'This is a strong collection of essays on an excellent, and original, topic. Byron's Ghosts manifestly enhances and modifies our understanding of Byron.'
      Alan Rawes

      Table of Contents
      • Acknowledgements
      • Texts and Abbreviations
      • Introduction: The Re-Enchantment of Romanticism
      • Chapter 1: Determining Unknown Modes of Being: A Map of Byron’s Ghosts and Spirits
      • BERNARD BEATTY
      • Chapter 2: S hades of Being: Byron and the Trespassing of Ontology
      • GAVIN HOPPS
      • Chapter 3: Byron and the Noonday Demons
      • MARY HURST
      • Chapter 4: Conjuration and Exorcism: Byron’s Spectral Rhetoric
      • DALE TOWNSHEND
      • Chapter 5: Byron avec Sade: Material and Spectral Violence in Childe Harold’s Pilgrimage Canto
      • PIYA PAL-LAPINSKI
      • Chapter 6: ‘’Twixt Life and Death’: Childe Harold’s Pilgrimage, Don Juan and the Sublime
      • PHILIP SHAW
      • Chapter 7: Byron, Ann Radcliffe and the Religious Implications of the Explained Supernatural in Don Juan
      • ALISON MILBANK
      • Chapter 8: The Haunting of Don Juan
      • PETER W. GRAHAM
      • Chapter 9: Being neither Here nor There: Byron and the Art of Flirtation
      • CORIN THROSBY
      • Afterword: Blowing on a Dead Man’s Embers: Byron’s Biographical Ghosts
      • PETER ALLENDER
      • Bibliography
      • Notes on Contributors
      • Index

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