Description

Byron at the Theatre is a collection of essays by a wide spectrum of European scholars, dealing with Byron’s dramas in a variety of ways. It starts with a long and detailed introduction on Byron and Drury Lane, incorporating much recent research done on the riotous and squalid conditions of the theatre in Regency London – conditions which go far towards explaining Byron’s distaste for the idea of theatrical success.There follows a chapter about the influence on Byron of Vittorio Alfieri, a vital subject which has not been written about thoroughly for over a century, and which goes far to explain what motivated Byron’s experiments in classical drama. The main body of the essays discuss Byron’s plays from thematic perspectives, and examine Byron himself as a figure in the dramas of Goethe and Stoppard. There is a chapter on Rudolph Nureyev’s little-known Manfred ballet, and another on Byron himself as a dramatic performer.Byron at the Theatre is a vital book for anyone interested in this much-discussed but little-understood aspect of Byron’s life and work.

Byron at the Theatre

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Hardback by Peter Cochran , Shona M. Allan

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Byron at the Theatre is a collection of essays by a wide spectrum of European scholars, dealing with Byron’s dramas... Read more

    Publisher: Cambridge Scholars Publishing
    Publication Date: 22/12/2007
    ISBN13: 9781847184276, 978-1847184276
    ISBN10: 1847184278

    Number of Pages: 220

    Non Fiction , ELT & Literary Studies , Education

    Description

    Byron at the Theatre is a collection of essays by a wide spectrum of European scholars, dealing with Byron’s dramas in a variety of ways. It starts with a long and detailed introduction on Byron and Drury Lane, incorporating much recent research done on the riotous and squalid conditions of the theatre in Regency London – conditions which go far towards explaining Byron’s distaste for the idea of theatrical success.There follows a chapter about the influence on Byron of Vittorio Alfieri, a vital subject which has not been written about thoroughly for over a century, and which goes far to explain what motivated Byron’s experiments in classical drama. The main body of the essays discuss Byron’s plays from thematic perspectives, and examine Byron himself as a figure in the dramas of Goethe and Stoppard. There is a chapter on Rudolph Nureyev’s little-known Manfred ballet, and another on Byron himself as a dramatic performer.Byron at the Theatre is a vital book for anyone interested in this much-discussed but little-understood aspect of Byron’s life and work.

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