Description

The wall was his passion. If we look at urban walls with the eyes of Burhan Dogancay, a completely different world opens up: half - ripped posters on rough brickwork, covered in graffiti, scribblings, messages, signs, stickers. From this rich stock of struct ures, signs and symbols the artist created his wall fragments, his “Urban Walls”. Dogancay (1929 – 2013) was born in Istanbul and settled in New York in 1964, where he moved within the art scene around Robert Rauschenberg und Jasper Johns. His subject is the visual perception of texture, place and memory, which he researches in serial wor ks. For his “Urban Walls” he records house walls and façades all over the world in a variety of media, using a wide range of materials and techniques such as photography, collage and painting. His works are archives of past decades which capture the spirit of the times. From the 1970s and 1980s he progresses from these works to develop his “Ribbons” – calligraphic paintings of poetic charm.

Burhan Dogancay

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Hardback by Klaus Albrecht Schröder , Elsy Lahner

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Short Description:

The wall was his passion. If we look at urban walls with the eyes of Burhan Dogancay, a completely different... Read more

    Publisher: Hirmer Verlag
    Publication Date: 07/09/2017
    ISBN13: 9783777428871, 978-3777428871
    ISBN10: 3777428876

    Number of Pages: 132

    Non Fiction , Art & Photography

    Description

    The wall was his passion. If we look at urban walls with the eyes of Burhan Dogancay, a completely different world opens up: half - ripped posters on rough brickwork, covered in graffiti, scribblings, messages, signs, stickers. From this rich stock of struct ures, signs and symbols the artist created his wall fragments, his “Urban Walls”. Dogancay (1929 – 2013) was born in Istanbul and settled in New York in 1964, where he moved within the art scene around Robert Rauschenberg und Jasper Johns. His subject is the visual perception of texture, place and memory, which he researches in serial wor ks. For his “Urban Walls” he records house walls and façades all over the world in a variety of media, using a wide range of materials and techniques such as photography, collage and painting. His works are archives of past decades which capture the spirit of the times. From the 1970s and 1980s he progresses from these works to develop his “Ribbons” – calligraphic paintings of poetic charm.

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