Description

Book Synopsis
When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studiesand academic work on Whedon''s expanding oeuvrecontinue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or Whedonverse). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible''s Sing-Along Blog.Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon''s works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows'' original scores,

Trade Review
Anyone familiar with the cult television favorites created by writer Joss Whedon knows how important music is in his shows. The essays in this collection focus entirely on the music in Whedon’s television shows and web musical, analyzing the way music complements and enhances the narrative. Jacqueline Bach traces out various musical arcs over the course of Buffy the Vampire Slayer’s run, such as the way the music of Sarah McLachlan is used to reflect Buffy’s complex feelings about her friends and her relation to them in several pivotal instances. Elizabeth A. Clendinning’s chapter centers on the vampire Spike, revealing how, even though he was first introduced as a villain in Buffy, Spike’s musical knowledge and references link him much more closely with humanity than the other nemeses on the show. Stanley C. Pelkey’s essay explores the music of Whedon’s futuristic space western Firefly, which blends exotic Asian music with folk-country music meant to represent the characters’ personalities and stations in life. For the many fans devoted to Whedon’s work, this will be an enlightening read. * Booklist *
Buffy, Ballads, and Bad Guys Who Sing makes a fine contribution to the still-young field of TV music scholarship. * American Music *

Buffy Ballads and Bad Guys Who Sing

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    £51.00

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    Order before 4pm tomorrow for delivery by Sat 20 Jun 2026.

    A Hardback by Rhonda V. Wilcox, Jacqueline Bach

    15 in stock

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      Publisher: Scarecrow Press
      Publication Date: 11/16/2010 12:00:00 AM
      ISBN13: 9780810869455, 978-0810869455
      ISBN10: 0810869454

      Description

      Book Synopsis
      When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studiesand academic work on Whedon''s expanding oeuvrecontinue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or Whedonverse). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible''s Sing-Along Blog.Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon''s works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows'' original scores,

      Trade Review
      Anyone familiar with the cult television favorites created by writer Joss Whedon knows how important music is in his shows. The essays in this collection focus entirely on the music in Whedon’s television shows and web musical, analyzing the way music complements and enhances the narrative. Jacqueline Bach traces out various musical arcs over the course of Buffy the Vampire Slayer’s run, such as the way the music of Sarah McLachlan is used to reflect Buffy’s complex feelings about her friends and her relation to them in several pivotal instances. Elizabeth A. Clendinning’s chapter centers on the vampire Spike, revealing how, even though he was first introduced as a villain in Buffy, Spike’s musical knowledge and references link him much more closely with humanity than the other nemeses on the show. Stanley C. Pelkey’s essay explores the music of Whedon’s futuristic space western Firefly, which blends exotic Asian music with folk-country music meant to represent the characters’ personalities and stations in life. For the many fans devoted to Whedon’s work, this will be an enlightening read. * Booklist *
      Buffy, Ballads, and Bad Guys Who Sing makes a fine contribution to the still-young field of TV music scholarship. * American Music *

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