Description

The life and times of Pieter Bruegel the Elder (c. 1526/301569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.

Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his da

Bruegel. Samtliche Gemalde. 40th Ed.

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The life and times of Pieter Bruegel the Elder (c. 1526/301569) were marked by stark cultural conflict. He witnessed religious... Read more

    Publisher: TASCHEN
    Publication Date: 1/28/2020
    ISBN13: 9783836580939, 978-3836580939
    ISBN10: 3836580934

    Description

    The life and times of Pieter Bruegel the Elder (c. 1526/301569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.

    Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his da

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