Description

Book Synopsis
Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II. Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin. Haidarali contends that the idea of brown as a respectable shade was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world. Building on an impressive range of visua

Trade Review
Scholarly discussions of the Harlem Renaissance–New Negro era usually focus on men. In Brown Beauty, Laila Haidarali (African American and women’s history, Univ. of Essex, UK) widens the lens to examine women and the development of a race conscious ideal of “brown-skin” beauty. * Choice *
Brown Beautyintroduces us to the tension of identity and beauty through concepts of advertising during a crucial period of the 20th century. It is well researched as it includes numerous accounts about black women rarely discussed such as the first black modeling agency in the 20th century. An important read, the author impressively argues that the fusion of the two racialized standards of beauty toward the end of the Harlem Renaissance resulted in the evolution of the urban New Negro woman by the end of WWII -- Deborah Willis, New York University, author of Posing Beauty
Laila Haidarali has given us a path breaking study of the color question in New Negro womanhood. Her masterful interpretation of diverse sources will ensure that the category of 'brown beauty' will have to be reckoned with in any study of modern African American identity and culture. Haidaralis ability to interpret and historicize literary and popular print culture will serve as a model for cultural and social historians of the black experience for years to come. -- Victoria Wolcott, author of Race, Riots, and Roller Coasters: The Struggle Over Segregated Recreation in America
Laila Haidarali has written a book that should act as a foundation for students and scholars interested in understanding modern origins of colorism in American society. * Journal of American Ethnic History *
A thoughtful and meticulous interdisciplinary study that explores African Americans’ use of a gendered color-coded discourse [...] Without a doubt, Brown Beauty is an important addition to the field of Africana studies * Journal of African American History *

Brown Beauty

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    A Paperback / softback by Laila Haidarali

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      Publisher: New York University Press
      Publication Date: 25/09/2018
      ISBN13: 9781479802081, 978-1479802081
      ISBN10: 1479802085

      Description

      Book Synopsis
      Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II. Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin. Haidarali contends that the idea of brown as a respectable shade was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world. Building on an impressive range of visua

      Trade Review
      Scholarly discussions of the Harlem Renaissance–New Negro era usually focus on men. In Brown Beauty, Laila Haidarali (African American and women’s history, Univ. of Essex, UK) widens the lens to examine women and the development of a race conscious ideal of “brown-skin” beauty. * Choice *
      Brown Beautyintroduces us to the tension of identity and beauty through concepts of advertising during a crucial period of the 20th century. It is well researched as it includes numerous accounts about black women rarely discussed such as the first black modeling agency in the 20th century. An important read, the author impressively argues that the fusion of the two racialized standards of beauty toward the end of the Harlem Renaissance resulted in the evolution of the urban New Negro woman by the end of WWII -- Deborah Willis, New York University, author of Posing Beauty
      Laila Haidarali has given us a path breaking study of the color question in New Negro womanhood. Her masterful interpretation of diverse sources will ensure that the category of 'brown beauty' will have to be reckoned with in any study of modern African American identity and culture. Haidaralis ability to interpret and historicize literary and popular print culture will serve as a model for cultural and social historians of the black experience for years to come. -- Victoria Wolcott, author of Race, Riots, and Roller Coasters: The Struggle Over Segregated Recreation in America
      Laila Haidarali has written a book that should act as a foundation for students and scholars interested in understanding modern origins of colorism in American society. * Journal of American Ethnic History *
      A thoughtful and meticulous interdisciplinary study that explores African Americans’ use of a gendered color-coded discourse [...] Without a doubt, Brown Beauty is an important addition to the field of Africana studies * Journal of African American History *

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