Description

Book Synopsis
Based on exclusive interviews, Breakout tells the often riveting personal stories of fourteen popular musicians--some well known, others not--from Zaire, Ghana, Nigeria and Sierra Leone. The first book on African pop music to look closely at the lives of the musicians themselves, Breakout deals with four African musical genres: soukous, highlife, afro-beat, and palm wine. Amid Africa's deepening economic and political crises of the last two decades, African musicians who developed these genres faced the need to cross cultural boundaries, or break out, and achieve a hit in the international marketplace. Challenging conventional assumptions, Gary Stewart demonstrates for the first time the true dimensions of this struggle to create music that will qualify as both an authentic cultural expression and an export commodity. From accounts of the outrageous Fela, who snipes at African leaders and recounts his days with Isis in ancient Egypt, to S. E. Rogie, who lurches from the pinnacle of s

Breakout Profiles in African Rhythm

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    A Paperback / softback by Gary Stewart

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      Publisher: The University of Chicago Press
      Publication Date: Publication Date: 01/06/1992
      ISBN13: 9780226774060, 978-0226774060
      ISBN10: 0226774066
      Also in:
      Music

      Description

      Book Synopsis
      Based on exclusive interviews, Breakout tells the often riveting personal stories of fourteen popular musicians--some well known, others not--from Zaire, Ghana, Nigeria and Sierra Leone. The first book on African pop music to look closely at the lives of the musicians themselves, Breakout deals with four African musical genres: soukous, highlife, afro-beat, and palm wine. Amid Africa's deepening economic and political crises of the last two decades, African musicians who developed these genres faced the need to cross cultural boundaries, or break out, and achieve a hit in the international marketplace. Challenging conventional assumptions, Gary Stewart demonstrates for the first time the true dimensions of this struggle to create music that will qualify as both an authentic cultural expression and an export commodity. From accounts of the outrageous Fela, who snipes at African leaders and recounts his days with Isis in ancient Egypt, to S. E. Rogie, who lurches from the pinnacle of s

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