Description
Book SynopsisArgues that the influence of Emerson and Thoreau on Charles Ives' compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown.
Trade ReviewMcDonald's work is always stimulating and never dull, consistently enriching the experience of the music. Ultimately, it also deepens our understanding of Ives the person, weaving together threads of art and biography.
* Music Theory Spectrum *
Overall, McDonald's book is a useful contribution to Ives scholarship . . . the book lays a solid foundation for further investigations of temporality in Ives's music.
* Journal of the Society for American Music *
McDonald investigates both the temporal and spatial effects of multidirectional motion, as well as its ramifications for understanding some of the larger philosophical issues that are raised in Ives's music.May 2015
* Music & Letters *
McDonald brings together analytic and personal factors to sharpen the image of the composer in convincing ways. . . . This book . . . deserves a close reading. The bibliography provides a select list of scores and recordings as well as articles, books, catalogues, and unpublished commentaries. This book is recommended for college and university libraries and for readers with a music theory background.
* Music Reference Services Quarterly *
Table of ContentsPreface
Acknowledgements
Introduction: Ives and Time
Part I: Three Dualities
1. God/Man: I Come to Thee and Psalm 14
2. Community/individual: Sonata No. 1 for Piano and String Quartet No. 2
3. Intuition/expression: "Nov. 2, 1920" and "Grantchester"
Part II: Contexts and Methodologies
4. Elements of Narrative: The Unanswered Question
5. Ives and the Now: "The Things Our Fathers Loved"
6. Cumulative Composition: Ives's Emerson Music
Notes
Bibliography
Index
