Description

Book Synopsis
Catholicism has played a central role in Irish society for centuries. It is sometimes perceived in a negative light, being associated with repression, antiquated morality and a warped view of sexuality. However, there are also the positive aspects that Catholicism brought to bear on Irish culture, such as the beauty of its rituals, education and health care, or concern for the poor and the underprivileged. Whatever their experience of Catholicism, writers of a certain generation could not escape its impact on their lives, an impact which is pervasive in the literature they produced.
This study, containing twelve chapters written by a range of distinguished literary experts and emerging scholars, explores in a systematic manner the cross-fertilisation between Catholicism and Irish/Irish-American literature written in English. The figures addressed in the book include James Joyce, Maud Gonne, Constance Markievicz, Kate O’Brien, Edwin O’Connor, Brian Moore, John McGahern, Seamus Heaney, Paul Durcan, Vincent Carroll and Brian Friel. This book will serve to underline the complex relationship between creative writers and the once all-powerful religious Establishment.

Table of Contents
Contents: Eamon Maher/Eugene O’Brien: Introduction – Jeanne I. Lakatos: The Semiotic Theory of Iconic Realism and Cultural Dissonance in de Meun’s and de Lorris’s Roman de la Rose and James Joyce’s Ulysses – Cathy McGlynn: ‘In the buginning is the woid’: Creation, Paternity and the Logos in Joyce’s Ulysses – Mary Pierse: The Donkey and the Sabbath – Sharon Tighe-Mooney: Exploring the Irish Catholic Mother in Kate O’Brien’s Pray for the Wanderer – Aintzane Legarreta Mentxaka: Catholic Agnostic - Kate O’Brien – James Silas Rogers: Edwin O’Connor’s Language of Grace – Eamon Maher: Issues of Faith in Selected Fiction by Brian Moore (1921-1999) – Peter Guy: ‘Earth’s Crammed with Heaven, and every Common Bush Afire with God’: Religion in the Fiction of John McGahern – Eugene O’Brien: ‘Any Catholics among you …?’: Seamus Heaney and the Real of Catholicism – John McDonagh: ‘Hopping Round Knock Shrine in the Falling Rain’: Revision and Catholicism in the Poetry of Paul Durcan – Victor Merriman: ‘To sleep is safe, to dream is dangerous’: Catholicism on Stage in Independent Ireland – Tony Corbett: Effing the Ineffable: Brian Friel’s Wonderful Tennessee and the Interrogation of Transcendence.

Breaking the Mould: Literary Representations of

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    A Paperback / softback by Eamon Maher, Eugene O'Brien

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      View other formats and editions of Breaking the Mould: Literary Representations of by Eamon Maher

      Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
      Publication Date: 20/01/2011
      ISBN13: 9783034302326, 978-3034302326
      ISBN10: 3034302320

      Description

      Book Synopsis
      Catholicism has played a central role in Irish society for centuries. It is sometimes perceived in a negative light, being associated with repression, antiquated morality and a warped view of sexuality. However, there are also the positive aspects that Catholicism brought to bear on Irish culture, such as the beauty of its rituals, education and health care, or concern for the poor and the underprivileged. Whatever their experience of Catholicism, writers of a certain generation could not escape its impact on their lives, an impact which is pervasive in the literature they produced.
      This study, containing twelve chapters written by a range of distinguished literary experts and emerging scholars, explores in a systematic manner the cross-fertilisation between Catholicism and Irish/Irish-American literature written in English. The figures addressed in the book include James Joyce, Maud Gonne, Constance Markievicz, Kate O’Brien, Edwin O’Connor, Brian Moore, John McGahern, Seamus Heaney, Paul Durcan, Vincent Carroll and Brian Friel. This book will serve to underline the complex relationship between creative writers and the once all-powerful religious Establishment.

      Table of Contents
      Contents: Eamon Maher/Eugene O’Brien: Introduction – Jeanne I. Lakatos: The Semiotic Theory of Iconic Realism and Cultural Dissonance in de Meun’s and de Lorris’s Roman de la Rose and James Joyce’s Ulysses – Cathy McGlynn: ‘In the buginning is the woid’: Creation, Paternity and the Logos in Joyce’s Ulysses – Mary Pierse: The Donkey and the Sabbath – Sharon Tighe-Mooney: Exploring the Irish Catholic Mother in Kate O’Brien’s Pray for the Wanderer – Aintzane Legarreta Mentxaka: Catholic Agnostic - Kate O’Brien – James Silas Rogers: Edwin O’Connor’s Language of Grace – Eamon Maher: Issues of Faith in Selected Fiction by Brian Moore (1921-1999) – Peter Guy: ‘Earth’s Crammed with Heaven, and every Common Bush Afire with God’: Religion in the Fiction of John McGahern – Eugene O’Brien: ‘Any Catholics among you …?’: Seamus Heaney and the Real of Catholicism – John McDonagh: ‘Hopping Round Knock Shrine in the Falling Rain’: Revision and Catholicism in the Poetry of Paul Durcan – Victor Merriman: ‘To sleep is safe, to dream is dangerous’: Catholicism on Stage in Independent Ireland – Tony Corbett: Effing the Ineffable: Brian Friel’s Wonderful Tennessee and the Interrogation of Transcendence.

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