Description
Book SynopsisThis famous work has had a chequered performance history, and Professor Laurel E. Fay points out that the interpretation of the opera depends on which edition is used. Robert Oldani introduces the Boris problem: Pushkin's play was not an obvious choice for a young composer, since it had been banned for forty years, and it is the Russian people, rather than any single character, who is the protagonist. Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne's comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities.Contents: Looking into Boris Godunov', Robert W. Oldani; A Historical Introduction, Nicholas John; The Drama and Music of Boris', Laurel E. Fay; Around Boris Godunov', Alex de Jonge; Boris: prince or peasant?, Nigel Osborne; Boris Godunov: Russian libretto (transliterated), Modest Mussorgsky; Boris Godunov: English translation by David Lloyd-Jones
Trade ReviewBrilliantly produced and superb value. * Sunday Times * All these will provide the new opera-goer with food for thought. * Daily Telegraph * Wholehearted recommendation of this valuable new series. * TLS *
Table of ContentsList of Illustrations Looking into Boris Godunov by Robert W. Oldani A Historical Introduction by Nicholas John The Drama and Music of 'Boris' by Laurel E. Fay Around 'Boris Godunov' by Alex de Jonge Boris: prince or peasant? by Nigel Osborne Thematic Guide 'Boris Godunov' transliterated Russian libretto by Modest Mussorgsky English Translation by David Lloyd-Jones Prologue Act One Act Two Act Three Act Four Bibliography Discography
