Description

Book Synopsis
Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architectureone that has been seldom explored in architectural history and theory. Boredom, Architecture, and Spatial Experience investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment. Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. C

Trade Review
What if architectural creativity is not only grounded in knowledge and skill but equally in a state of mind, a mood? Improbable though the suggestion may be, this original and marvelously well-studied book shows that from the 19th century onward boredom became a force that focused concentration and compelled experimentation. * David Leatherbarrow, University of Pennsylvania, USA *
A fascinating exploration of boredom that builds on 19th-century literary narratives to understand its contemporary spatial manifestations. Parreno meanders through a multitude of boredoms, from the domestic to the monumentally bureaucratic, and from the modern generic to endlessly varied imagery—revealing unexpectedly reassuring aspects of boredom in the process. * Lara Schrijver, University of Antwerp, Belgium *

Table of Contents
List of Illustrations Preface Foreword by Iain Borden Acknowledgements Introduction: Boredom as Architecture 1. A Component of Modernity Differential Distances 2. Fascination and Aversion 3. Søren Kierkegaard’s Babylonian Tower 4. Catherine Gore and Charles Dickens: Idle Restlessness/Restless Idleness 5. Blunting and Jading 6. Coney Island, Misleading Structures Circular Trajectories 7. A Unity of Disarray 8. Martin Heidegger’s Urge to Be at Home 9. Oran, the Capital of Boredom 10. International Style Confusions: Sigfried Giedion 11. Los Angeles, Flat Enough Extended Thresholds 12. Potential Architectures 13. Andrew Benjamin’s Antithesis to Boredom 14. Boredom in Domus 15. Servitude and Liberalism: Russell Kirk 16. Charles Jencks, Rem Koolhaas, and the Generic 17. Jorge Silvetti and Sylvia Lavin: Unamused Muses and Lying Fallow Epilogue: Architectures of Boredom Bibliography Index

Boredom Architecture and Spatial Experience

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    Order before 4pm tomorrow for delivery by Wed 17 Jun 2026.

    A Paperback by Christian Parreno

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      View other formats and editions of Boredom Architecture and Spatial Experience by Christian Parreno

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 1/25/2022 12:08:00 AM
      ISBN13: 9781350213647, 978-1350213647
      ISBN10: 1350213640

      Description

      Book Synopsis
      Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architectureone that has been seldom explored in architectural history and theory. Boredom, Architecture, and Spatial Experience investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment. Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. C

      Trade Review
      What if architectural creativity is not only grounded in knowledge and skill but equally in a state of mind, a mood? Improbable though the suggestion may be, this original and marvelously well-studied book shows that from the 19th century onward boredom became a force that focused concentration and compelled experimentation. * David Leatherbarrow, University of Pennsylvania, USA *
      A fascinating exploration of boredom that builds on 19th-century literary narratives to understand its contemporary spatial manifestations. Parreno meanders through a multitude of boredoms, from the domestic to the monumentally bureaucratic, and from the modern generic to endlessly varied imagery—revealing unexpectedly reassuring aspects of boredom in the process. * Lara Schrijver, University of Antwerp, Belgium *

      Table of Contents
      List of Illustrations Preface Foreword by Iain Borden Acknowledgements Introduction: Boredom as Architecture 1. A Component of Modernity Differential Distances 2. Fascination and Aversion 3. Søren Kierkegaard’s Babylonian Tower 4. Catherine Gore and Charles Dickens: Idle Restlessness/Restless Idleness 5. Blunting and Jading 6. Coney Island, Misleading Structures Circular Trajectories 7. A Unity of Disarray 8. Martin Heidegger’s Urge to Be at Home 9. Oran, the Capital of Boredom 10. International Style Confusions: Sigfried Giedion 11. Los Angeles, Flat Enough Extended Thresholds 12. Potential Architectures 13. Andrew Benjamin’s Antithesis to Boredom 14. Boredom in Domus 15. Servitude and Liberalism: Russell Kirk 16. Charles Jencks, Rem Koolhaas, and the Generic 17. Jorge Silvetti and Sylvia Lavin: Unamused Muses and Lying Fallow Epilogue: Architectures of Boredom Bibliography Index

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