Description

Book Synopsis

Examines how the US-Mexico border is seen through visual codes of surveillance
When Donald Trump promised to build a wall on the U.S.-Mexico border, both supporters and opponents visualized a snaking barrier of concrete cleaving through nearly two thousand miles of arid desert. Though only 4 percent of the US population lives in proximity to the border, imagining what the wall would look like came easily to most Americans, in part because of how images of the border are reproduced and circulated for national audiences.
Border Optics considers the US-Mexico border as one of the most visualized and imagined spaces in the US. As a place of continual crisis, permanent visibility, and territorial defense, the border is rendered as a layered visual space of policingone that is seen from watchtowers, camera-mounted vehicles, helicopters, surveillance balloons, radar systems, unmanned aerial vehicles, and live streaming websites. It is also a space that is visualiz

Trade Review
As historically enduring and salient as borders and border discourses have been, they remain a crucial topic of study—for their deployment has life and death consequences for millions around the globe. Drawing on a creative combination of Border and Surveillance Studies, Camilla Fojas proposes the concept of ‘borderveillance’ to encourage us to critically assess the imperial significations and material outcomes of the ongoing struggle of human flow at the Mexico-US border. This original approach expands our understanding of the border while creating a visual archive of racial capitalism at work. * Angharad N. Valdivia, author of Latino/as in the Media *
An incisive, brilliant, and deep analysis of what Fojas terms the ‘culture, politics and infrastructure of borderveillance.’ With groundbreaking and rigorous research, Fojas demonstrates the ways that the policing of the US-Mexico border is an optical project, one intimately bound up with histories of colonialism, racial capitalism, and genocidal logics. Extending the groundbreaking work of multiple theoretical frameworks from critical race theory to feminist surveillance studies, Border Optics thinks about how dominant modes of seeing produce new technologies aimed at automating and intensifying existing forms of ‘racial surveillance capitalism.’ In this time of intensified white supremacy and policing at the US-Mexico border, Fojas’s work shows the violence produced by borderveillance, and ruminates on alternatives to a dronified future. * Shoshana Amielle Magnet, author of When Biometrics Fail: Gender, Race, and the Technology of Identity *

[T]his book offers a welcomed perspective to analyze the culture of border security and how
this culture has shaped border technologies within the security regime… Fojas provides an in-depth account of border surveillance.

-- Journal of Borderlands Studies * Journal of Borderlands Studies *

Border Optics

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    A Paperback / softback by Camilla Fojas

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      Publisher: New York University Press
      Publication Date: Publication Date: 08/06/2021
      ISBN13: 9781479807017, 978-1479807017
      ISBN10: 147980701X

      Description

      Book Synopsis

      Examines how the US-Mexico border is seen through visual codes of surveillance
      When Donald Trump promised to build a wall on the U.S.-Mexico border, both supporters and opponents visualized a snaking barrier of concrete cleaving through nearly two thousand miles of arid desert. Though only 4 percent of the US population lives in proximity to the border, imagining what the wall would look like came easily to most Americans, in part because of how images of the border are reproduced and circulated for national audiences.
      Border Optics considers the US-Mexico border as one of the most visualized and imagined spaces in the US. As a place of continual crisis, permanent visibility, and territorial defense, the border is rendered as a layered visual space of policingone that is seen from watchtowers, camera-mounted vehicles, helicopters, surveillance balloons, radar systems, unmanned aerial vehicles, and live streaming websites. It is also a space that is visualiz

      Trade Review
      As historically enduring and salient as borders and border discourses have been, they remain a crucial topic of study—for their deployment has life and death consequences for millions around the globe. Drawing on a creative combination of Border and Surveillance Studies, Camilla Fojas proposes the concept of ‘borderveillance’ to encourage us to critically assess the imperial significations and material outcomes of the ongoing struggle of human flow at the Mexico-US border. This original approach expands our understanding of the border while creating a visual archive of racial capitalism at work. * Angharad N. Valdivia, author of Latino/as in the Media *
      An incisive, brilliant, and deep analysis of what Fojas terms the ‘culture, politics and infrastructure of borderveillance.’ With groundbreaking and rigorous research, Fojas demonstrates the ways that the policing of the US-Mexico border is an optical project, one intimately bound up with histories of colonialism, racial capitalism, and genocidal logics. Extending the groundbreaking work of multiple theoretical frameworks from critical race theory to feminist surveillance studies, Border Optics thinks about how dominant modes of seeing produce new technologies aimed at automating and intensifying existing forms of ‘racial surveillance capitalism.’ In this time of intensified white supremacy and policing at the US-Mexico border, Fojas’s work shows the violence produced by borderveillance, and ruminates on alternatives to a dronified future. * Shoshana Amielle Magnet, author of When Biometrics Fail: Gender, Race, and the Technology of Identity *

      [T]his book offers a welcomed perspective to analyze the culture of border security and how
      this culture has shaped border technologies within the security regime… Fojas provides an in-depth account of border surveillance.

      -- Journal of Borderlands Studies * Journal of Borderlands Studies *

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