Description

Book Synopsis
Presents a social and cultural history of exploitation films. Analysing many films, such as "The Road to Ruin", "Modern Motherhood", and more, this book demonstrates that these films were more than simply 'bad' movies. It shows how they evolved during a period of forty years and how, during that time, they shaped public policies and attitudes.

Trade Review
“An astonishing scholarly achievement, one of the most impressive books I’ve read in a decade. Schaefer’s research is broad and profound. This is not only the reference work on the subject; it is a model of elegant argument.”—Matthew Bernstein, author of Walter Wanger, Hollywood Independent
“The exploitation film has enjoyed a cult following as ‘turkey cinema,’ ‘trash,’ midnight movie camp, psychotronic cinema, and the object of ridicule on Mystery Science Theater 3000. Yet Schaefer’s book shows us that it must be central to any understanding of the way Hollywood cinema operates. This groundbreaking work will open up an entirely new field of film history.”—Henry Jenkins, author of Science Fiction Audiences: Watching Doctor Who and Star Trek
“When I was in the business I billed myself as ‘The Expert Exponent of Exploitation.’ I hereby bestow that shibboleth to the genuine, absolute, factual Expert Exponent, Eric Schaefer. Nothing more need ever be told about this subject.”—David F. Friedman, who was there when a lot of it happened, producer of Daughter of the Sun, Blood Feast, and other exploitation classics

Table of Contents
Acknowledments
Introduction: “As Long as It Was in Bad Taste!”

“An Attempt to ‘Commercialize Vice’”: Origins of the Exploitation Film

“A Hodge-Podge of Cuttings and Splicings”: The Mode of Production and the Style of Classical Exploitation Films

“You Gotta Tell ’Em to Sell ’Em”: Distribution, Advertising, and Exhibition of Exploitation Films

“Thoroughly Vile and Disgusting”: The Exploitation Film and Censorship
“No False Modesty, No Old-Fashioned Taboos”: The Sex Hygiene Film

“The Monster That Caters to Thrill-Hungry Youth”: The Drug Film
"Timely as Today’s Front Page”: Vice, Exotic, and Atrocity Films

“They Wear No Clothes!”: Nudist and Burlesque Films

Conclusion: The End of Classical Exploitation

Appendix 1 - Major Exploitation Producers/Distributors and Their
Company Names

Appendix 2 - Filmography

Appendix 3 - Video Sources
Notes
Bibliography
Index

Bold Daring Shocking True

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    A Paperback / softback by Eric Schaefer

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      Publisher: Duke University Press
      Publication Date: 11/10/1999
      ISBN13: 9780822323747, 978-0822323747
      ISBN10: 0822323745
      Also in:
      Popular culture

      Description

      Book Synopsis
      Presents a social and cultural history of exploitation films. Analysing many films, such as "The Road to Ruin", "Modern Motherhood", and more, this book demonstrates that these films were more than simply 'bad' movies. It shows how they evolved during a period of forty years and how, during that time, they shaped public policies and attitudes.

      Trade Review
      “An astonishing scholarly achievement, one of the most impressive books I’ve read in a decade. Schaefer’s research is broad and profound. This is not only the reference work on the subject; it is a model of elegant argument.”—Matthew Bernstein, author of Walter Wanger, Hollywood Independent
      “The exploitation film has enjoyed a cult following as ‘turkey cinema,’ ‘trash,’ midnight movie camp, psychotronic cinema, and the object of ridicule on Mystery Science Theater 3000. Yet Schaefer’s book shows us that it must be central to any understanding of the way Hollywood cinema operates. This groundbreaking work will open up an entirely new field of film history.”—Henry Jenkins, author of Science Fiction Audiences: Watching Doctor Who and Star Trek
      “When I was in the business I billed myself as ‘The Expert Exponent of Exploitation.’ I hereby bestow that shibboleth to the genuine, absolute, factual Expert Exponent, Eric Schaefer. Nothing more need ever be told about this subject.”—David F. Friedman, who was there when a lot of it happened, producer of Daughter of the Sun, Blood Feast, and other exploitation classics

      Table of Contents
      Acknowledments
      Introduction: “As Long as It Was in Bad Taste!”

      “An Attempt to ‘Commercialize Vice’”: Origins of the Exploitation Film

      “A Hodge-Podge of Cuttings and Splicings”: The Mode of Production and the Style of Classical Exploitation Films

      “You Gotta Tell ’Em to Sell ’Em”: Distribution, Advertising, and Exhibition of Exploitation Films

      “Thoroughly Vile and Disgusting”: The Exploitation Film and Censorship
      “No False Modesty, No Old-Fashioned Taboos”: The Sex Hygiene Film

      “The Monster That Caters to Thrill-Hungry Youth”: The Drug Film
      "Timely as Today’s Front Page”: Vice, Exotic, and Atrocity Films

      “They Wear No Clothes!”: Nudist and Burlesque Films

      Conclusion: The End of Classical Exploitation

      Appendix 1 - Major Exploitation Producers/Distributors and Their
      Company Names

      Appendix 2 - Filmography

      Appendix 3 - Video Sources
      Notes
      Bibliography
      Index

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