Description

Book Synopsis
The first major collection of poetry written in English by the flabbergasting and flamboyant Baroness Elsa, “the first American Dada.”

As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip—one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, “the first American Dada” not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga.

Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise

Body Sweats

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    £999.99

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    A Paperback / softback by Elsa von Freytag-Loringhoven, Irene Gammel, Suzanne Zelazo

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      Publisher: MIT Press Ltd
      Publication Date: Publication Date: 07/10/2016
      ISBN13: 9780262529754, 978-0262529754
      ISBN10: 0262529750

      Description

      Book Synopsis
      The first major collection of poetry written in English by the flabbergasting and flamboyant Baroness Elsa, “the first American Dada.”

      As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip—one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, “the first American Dada” not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga.

      Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise

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