Description

Book Synopsis
Looks at atelier politics through the lens of literature focuses in particular on the female model, with special attention to her race, ethnicity, and class. This title offers an account of the rise and fall of the female model in nineteenth-century realism, a trend felt well into the twentieth century, especially in the new field of photography.

Trade Review
"In a literary tour-de-force, Lathers examines the ways that French literary realism and naturalism depict the artist's model. . . . Her lively prose tells an untold story in engaging style. Her study drives readers to pick up the novels themselves as windows into the fascinating subjects they depict."—Henry L. Carrigan Jr., Ohioana Quarterly
Bodies of Art furthers our understanding of the evolution and mutation of the artist’s model in French literature from the 1830s to the end of the century. Lathers’s densely argued, theoretically informed study delineates the birth and ‘death’ of the model in relation to literary realism, shifting social realities, gender stereotypes, and the advent of photography, and provides illuminating readings of key texts from Balzac to Maupassant. . . . Her fascinating book presents a complex, multilayered narrative of the model as imagined and reinvented in 19th-century literature that enriches our knowledge of the Paris art world and the problematics of gender in 19th-century France.”—Women’s Art Journal

Table of Contents
Contents - List of Illustrations; Acknowledgments; Introduction1; 1. Paris Qui Pose - The Female Model in Nineteenth-Century France; 2. Chi Era la Fornarina? - Raphael, Balzac, Ingres; 3. Forgotten in a Corner - Modeling in Le Chef-d'oeuvre inconnu and La Cousine Bette; 4. Posing at the Hotel Pimodan - Baudelaire and the Model; 5. Models, Monkeys, and Naturalism - The Goncourt Brothers' Manette Salomon; 6. The Model's Postpartum Belly - Zola's L'Oeuvre; 7. Maupassant, Mauclair, and Villiers - The Aging and Death of the Model; 8. Studies after Nature - The Photographic Model at the Turn of the Century; Conclusion; Notes; Works Cited; Index

Bodies of Art

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    £999.99

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    A Hardback by Marie Lathers

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      Publisher: University of Nebraska Press
      Publication Date: Publication Date: 01/09/2001
      ISBN13: 9780803229419, 978-0803229419
      ISBN10: 0803229410

      Description

      Book Synopsis
      Looks at atelier politics through the lens of literature focuses in particular on the female model, with special attention to her race, ethnicity, and class. This title offers an account of the rise and fall of the female model in nineteenth-century realism, a trend felt well into the twentieth century, especially in the new field of photography.

      Trade Review
      "In a literary tour-de-force, Lathers examines the ways that French literary realism and naturalism depict the artist's model. . . . Her lively prose tells an untold story in engaging style. Her study drives readers to pick up the novels themselves as windows into the fascinating subjects they depict."—Henry L. Carrigan Jr., Ohioana Quarterly
      Bodies of Art furthers our understanding of the evolution and mutation of the artist’s model in French literature from the 1830s to the end of the century. Lathers’s densely argued, theoretically informed study delineates the birth and ‘death’ of the model in relation to literary realism, shifting social realities, gender stereotypes, and the advent of photography, and provides illuminating readings of key texts from Balzac to Maupassant. . . . Her fascinating book presents a complex, multilayered narrative of the model as imagined and reinvented in 19th-century literature that enriches our knowledge of the Paris art world and the problematics of gender in 19th-century France.”—Women’s Art Journal

      Table of Contents
      Contents - List of Illustrations; Acknowledgments; Introduction1; 1. Paris Qui Pose - The Female Model in Nineteenth-Century France; 2. Chi Era la Fornarina? - Raphael, Balzac, Ingres; 3. Forgotten in a Corner - Modeling in Le Chef-d'oeuvre inconnu and La Cousine Bette; 4. Posing at the Hotel Pimodan - Baudelaire and the Model; 5. Models, Monkeys, and Naturalism - The Goncourt Brothers' Manette Salomon; 6. The Model's Postpartum Belly - Zola's L'Oeuvre; 7. Maupassant, Mauclair, and Villiers - The Aging and Death of the Model; 8. Studies after Nature - The Photographic Model at the Turn of the Century; Conclusion; Notes; Works Cited; Index

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