Description

Book Synopsis
Sarah Kane was born in 1971. Her work includes the plays Blasted, Phaedra's Love, Cleansed, 4.48 Psychosis and the short film Skin. Sarah Kane died in 1999, aged 28, and is now recognised as one of the most influential voices in modern European theatre.

Trade Review
Kane's play is wild, but artful too. * The Observer *
This is a play of exceptional power and prescience. * Daily Telegraph *
Blasted emerges yet again as a devastating achievement, a play of furious passion and thrilling theatrical audacity . . . a landmark play of undiminished power. * The Times *
Twenty years after it opened to critical incomprehension and outrage, there's no way that Sarah Kane's Blasted can be dismissed as a naive shocker. It's far too smartly crafted for that. The play wears its magpie borrowings on its sleeve - from Brecht to Beckett to Pinter - and still rings loudly with the clarity of Kane's own bell-like Cassandra voice. * Guardian, 2015 *

Table of Contents
Foreword by Mel Kenyon The Play

Blasted

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A Hardback by Sarah Kane

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    View other formats and editions of Blasted by Sarah Kane

    Publisher: Bloomsbury Publishing PLC
    Publication Date: 04/11/2019
    ISBN13: 9781350135024, 978-1350135024
    ISBN10: 135013502X

    Description

    Book Synopsis
    Sarah Kane was born in 1971. Her work includes the plays Blasted, Phaedra's Love, Cleansed, 4.48 Psychosis and the short film Skin. Sarah Kane died in 1999, aged 28, and is now recognised as one of the most influential voices in modern European theatre.

    Trade Review
    Kane's play is wild, but artful too. * The Observer *
    This is a play of exceptional power and prescience. * Daily Telegraph *
    Blasted emerges yet again as a devastating achievement, a play of furious passion and thrilling theatrical audacity . . . a landmark play of undiminished power. * The Times *
    Twenty years after it opened to critical incomprehension and outrage, there's no way that Sarah Kane's Blasted can be dismissed as a naive shocker. It's far too smartly crafted for that. The play wears its magpie borrowings on its sleeve - from Brecht to Beckett to Pinter - and still rings loudly with the clarity of Kane's own bell-like Cassandra voice. * Guardian, 2015 *

    Table of Contents
    Foreword by Mel Kenyon The Play

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