Description
Book SynopsisThe work of French writer and essayist Maurice Blanchot (1907-2003) is without doubt among the most challenging the twentieth century has to offer. Contemporary debate in literature, philosophy, and politics has yet to fully acknowledge its discreet but enduring impact. Arising from a conference that took place in Oxford in 2009, this book sets itself a simple, if daunting, task: that of measuring the impact and responding to the challenge of Blanchot’s work by addressing its engagement with the Romantic legacy, in particular (but not only) that of the Jena Romantics. Drawing upon a wide range of philosophers and poets associated directly or indirectly with German Romanticism (Kant, Fichte, Goethe, Jean Paul, Novalis, the Schlegels, Hölderlin), the authors of this volume explore how Blanchot’s fictional, critical, and fragmentary texts rewrite and rethink the Romantic demand in relation to questions of criticism and reflexivity, irony and subjectivity, narrative and genre, the sublime and the
neutre, the Work and the fragment, quotation and translation. Reading Blanchot with or against key twentieth-century thinkers (Benjamin, Foucault, de Man), they also examine Romantic and post-Romantic notions of history, imagination, literary theory, melancholy, affect, love, revolution, community, and other central themes that Blanchot’s writings deploy across the century from Jean-Paul Sartre to Jean-Luc Nancy. This book contains contributions in both English and French.
Table of ContentsContents: Hannes Opelz/John McKeane: Introduction: The Absolute, the Fragmentary – Gisèle Berkman : ‘Une histoire
dans le romantisme ?’ Maurice Blanchot et l’
Athenæum – Christophe Bident : Le Neutre est-il une notion romantique ? – Yves Gilonne : L’Auto-réflexivité du sublime – Michael Holland: Blanchot and Jean Paul – Sergey Zenkin: Transformations of Romantic Love – Jérémie Majorel :
Au moment voulu : de mélancolie en mélancolie – Ian MacLachlan: Blanchot and the Romantic Imagination – Jake Wadham: Blanchot, Benjamin, and the Absence of the Work – Hector Kollias: Unworking Irony’s Work: Blanchot and de Man Reading Schlegel – Leslie Hill: ‘A Fine Madness’: Translation, Quotation, the Fragmentary – Maebh Long: A Step Askew: Ironic Parabasis in Blanchot – Martin Crowley: Even now, now, very now – Ian James: The Narrow Margin – Parham Shahrjerdi : Écrire la révolution.
