Description

Book Synopsis
Black performance theory is a rich interdisciplinary area of study and critical method. In this collection of new essays, some of its pioneering thinkers demonstrate the breadth and depth, innovation, and critical value of black performance theory.

Trade Review
“With this compelling volume, DeFrantz and Gonzalez provide less a settled corpus of methodologies applied to a canon of academically sanctioned performance genres than an articulation and elaboration of black corporealities, vocalities, and ‘sensibilities’ across a heterogeneous field of performative enunciations--’high’ and pop culture, geographically dispersed and diasporic. . . . This promises to become a key work. Highly recommended. Upper-division undergraduates through faculty and professionals.” -- R. Remshardt * Choice *
"This is theory that dances. [...] Black Performance Theory convenes 14 scholars and practitioners of Africana performance and bids them dance and groove across national, hemispheric, oceanic, planetary, disciplinary, epochal, formal, and methodological boundaries in pursuit of blackness in motion." -- La Marr Jurelle Bruce * TDR: The Drama Review *

Table of Contents
Foreword / D. Soyini Madison Acknowledgments Introduction. From "Negro Experiment" to "Black Performance" / Thomas F. DeFrantz and Anita Gonzalez Part I: Transporting Black 1. Navigations: Diasporic Transports and Landings / Anita Gonzalez 2. Diasporic Spidering: Constructing Contemporary Black Identities / Nadine George-Graves 3. Twenty-First-Century Post-Humans: The Rose of the See-J / Hershini Bhana Young 4. Hip Work: Undoing the Tragic Mulata / Melissa Blanco Borelli Part II: Black-En-Scene 5. Black-Authored Lynching Drama's Challenge to Theater History / Koritha Mitchell 6. Reading "Spirit" and the Dancing Body in the Choreography of Ronald K. Brown and Reggie Wilson / Carl Paris 7. Uncovered: A Pageant of Hip Hop Masters / Rickerby Hinds Part III: Black Imaginary 8. Black Movements: Flying Africans in Spaceships / Soyica Diggs Colbert 9. Post-logical Notes on Self-Election / Wendy S. Walters 10: Cityscaped: Ethnospheres / Anna B. Scott Part IV: Hi-Fidelity Black 11. "Rip It Up": Excess and Ecstasy in Little Richard's Sound / Tavia Nyong'o 12. Don't Stop 'til You Get Enough: Presence, Spectacle, and Good Feeling in Michael Jackson's This Is It / Jason King 13. Afro-sonic Feminist Praxis: Nina Simone and Adrienne Kennedy in High Fidelity / Daphne A. Brooks 14. Hip-Hop Habitus V.2.0 / Thomas F. DeFrantz Bibliography Contributors Index

Black Performance Theory

    Product form

    £98.60

    Includes FREE delivery

    RRP £116.00 – you save £17.40 (15%)

    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Hardback by Thomas F. Defrantz, Anita Gonzalez

    1 in stock


      View other formats and editions of Black Performance Theory by Thomas F. Defrantz

      Publisher: Duke University Press
      Publication Date: 5/9/2014 12:00:00 AM
      ISBN13: 9780822356073, 978-0822356073
      ISBN10: 0822356074

      Description

      Book Synopsis
      Black performance theory is a rich interdisciplinary area of study and critical method. In this collection of new essays, some of its pioneering thinkers demonstrate the breadth and depth, innovation, and critical value of black performance theory.

      Trade Review
      “With this compelling volume, DeFrantz and Gonzalez provide less a settled corpus of methodologies applied to a canon of academically sanctioned performance genres than an articulation and elaboration of black corporealities, vocalities, and ‘sensibilities’ across a heterogeneous field of performative enunciations--’high’ and pop culture, geographically dispersed and diasporic. . . . This promises to become a key work. Highly recommended. Upper-division undergraduates through faculty and professionals.” -- R. Remshardt * Choice *
      "This is theory that dances. [...] Black Performance Theory convenes 14 scholars and practitioners of Africana performance and bids them dance and groove across national, hemispheric, oceanic, planetary, disciplinary, epochal, formal, and methodological boundaries in pursuit of blackness in motion." -- La Marr Jurelle Bruce * TDR: The Drama Review *

      Table of Contents
      Foreword / D. Soyini Madison Acknowledgments Introduction. From "Negro Experiment" to "Black Performance" / Thomas F. DeFrantz and Anita Gonzalez Part I: Transporting Black 1. Navigations: Diasporic Transports and Landings / Anita Gonzalez 2. Diasporic Spidering: Constructing Contemporary Black Identities / Nadine George-Graves 3. Twenty-First-Century Post-Humans: The Rose of the See-J / Hershini Bhana Young 4. Hip Work: Undoing the Tragic Mulata / Melissa Blanco Borelli Part II: Black-En-Scene 5. Black-Authored Lynching Drama's Challenge to Theater History / Koritha Mitchell 6. Reading "Spirit" and the Dancing Body in the Choreography of Ronald K. Brown and Reggie Wilson / Carl Paris 7. Uncovered: A Pageant of Hip Hop Masters / Rickerby Hinds Part III: Black Imaginary 8. Black Movements: Flying Africans in Spaceships / Soyica Diggs Colbert 9. Post-logical Notes on Self-Election / Wendy S. Walters 10: Cityscaped: Ethnospheres / Anna B. Scott Part IV: Hi-Fidelity Black 11. "Rip It Up": Excess and Ecstasy in Little Richard's Sound / Tavia Nyong'o 12. Don't Stop 'til You Get Enough: Presence, Spectacle, and Good Feeling in Michael Jackson's This Is It / Jason King 13. Afro-sonic Feminist Praxis: Nina Simone and Adrienne Kennedy in High Fidelity / Daphne A. Brooks 14. Hip-Hop Habitus V.2.0 / Thomas F. DeFrantz Bibliography Contributors Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account