Description

Book Synopsis
Analyses how artists and activists of recent decades reference earlier freedom movements in order to imagine and produce a more expansive and inclusive democracy. Through an exploration of the way that black movements create circuits connecting people across space and time, Colbert offers important interventions into performance, literary, diaspora, and American studies.

Trade Review
"Colbert engages with cultural narratives that cross disciplinary boundaries; Black Movements will influence the field because it offers a unique way to think about processes and products of black artistic thought." -- Anita Gonzalez * University of Michigan-Ann Arbor and co-author of Black Performance Theory *
"With rigor and creativity, Soyica Diggs Colbert weaves together debates in performance studies, black studies, and American studies. Black Movements offers a new way to think about race, time, history, and performance in the contemporary moment and will have a lasting influence." -- Shane Vogel * author of The Scene of Harlem Cabaret: Race, Sexuality, Performance *
"It is a significant book, one that should be read alongside the scholarship of Saidiya Hartman, Daphne Brooks, Amber Jamilla Musser and other black feminist thinkers. Like Beyoncé reflecting back on Josephine Baker, Black Movements’s looks to the legacies of black performance in order to imagine and build black futures." * Journal of American Drama and Theatre *
"Colbert’s 2017 book is especially exigent because it challenges the fixity of black death in a contemporary moment where black life is continuously expected to end abruptly. Whether this anticipation comes from video circulations of encounters with police or the Sate’s neglect of a predominantly black city’s contaminated water system, Colbert challenges this anticipated permanence to black death in Black Movements via analyses of literature, popular culture, and history. In doing so, she presents freedom as a multimodal phenomenon – through performance, film, literature, music, and prophecy." * Women’s Studies: An Interdisciplinary Journal *

Table of Contents

Acknowledgments

Introduction: Webs of Affiliation

1 Flying Africans in Spaceships

2 Entrapping and Ensnaring Entanglements

3 Prophesying in Octavia Butler’s Parable Series

4 Marching

Epilogue: “Why do you look for the living among the dead?”: Locating the Future of Black Studies

Notes

Bibliography

Index

Black Movements Performance and Cultural Politics

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    £999.99

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    A Paperback / softback by Soyica Diggs Colbert

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      View other formats and editions of Black Movements Performance and Cultural Politics by Soyica Diggs Colbert

      Publisher: Rutgers University Press
      Publication Date: 28/04/2017
      ISBN13: 9780813588513, 978-0813588513
      ISBN10: 0813588510

      Description

      Book Synopsis
      Analyses how artists and activists of recent decades reference earlier freedom movements in order to imagine and produce a more expansive and inclusive democracy. Through an exploration of the way that black movements create circuits connecting people across space and time, Colbert offers important interventions into performance, literary, diaspora, and American studies.

      Trade Review
      "Colbert engages with cultural narratives that cross disciplinary boundaries; Black Movements will influence the field because it offers a unique way to think about processes and products of black artistic thought." -- Anita Gonzalez * University of Michigan-Ann Arbor and co-author of Black Performance Theory *
      "With rigor and creativity, Soyica Diggs Colbert weaves together debates in performance studies, black studies, and American studies. Black Movements offers a new way to think about race, time, history, and performance in the contemporary moment and will have a lasting influence." -- Shane Vogel * author of The Scene of Harlem Cabaret: Race, Sexuality, Performance *
      "It is a significant book, one that should be read alongside the scholarship of Saidiya Hartman, Daphne Brooks, Amber Jamilla Musser and other black feminist thinkers. Like Beyoncé reflecting back on Josephine Baker, Black Movements’s looks to the legacies of black performance in order to imagine and build black futures." * Journal of American Drama and Theatre *
      "Colbert’s 2017 book is especially exigent because it challenges the fixity of black death in a contemporary moment where black life is continuously expected to end abruptly. Whether this anticipation comes from video circulations of encounters with police or the Sate’s neglect of a predominantly black city’s contaminated water system, Colbert challenges this anticipated permanence to black death in Black Movements via analyses of literature, popular culture, and history. In doing so, she presents freedom as a multimodal phenomenon – through performance, film, literature, music, and prophecy." * Women’s Studies: An Interdisciplinary Journal *

      Table of Contents

      Acknowledgments

      Introduction: Webs of Affiliation

      1 Flying Africans in Spaceships

      2 Entrapping and Ensnaring Entanglements

      3 Prophesying in Octavia Butler’s Parable Series

      4 Marching

      Epilogue: “Why do you look for the living among the dead?”: Locating the Future of Black Studies

      Notes

      Bibliography

      Index

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