Description

Book Synopsis

The debut novel from the brilliant and award-winning poet Helen Mort

Alexa is a police community support officer whose world feels unstable.

Caron, Alexa’s girlfriend, is pushing her away and pushing herself even harder. A climber, she fixates on a brutal route. Leigh, who works at a local gear shop, watches Caron climb and feels complicit.

Meanwhile, an ex-police officer compulsively revisits the April day in 1989 that changed his life forever. Trapped in his memories of the disaster, he tracks the Hillsborough inquests, questioning everything.

As the young women negotiate Sheffield’s violent inheritance, the rock faces of Stanage and their relationships with each other, Mort stunningly grounds these journeys of trust and trauma, fear and falling, in the texture of the urban and natural terrain underfoot.

'A beautifully accomplished debut...a deeply felt work of loss, time and healing' Guardian

‘Helen Mort is unmistakably one of the most brilliant poets of her generation; Black Car Burning shows her to be a remarkable novelist’ Robert Macfarlane



Trade Review
A love letter to [Mort's] home city of Sheffield... Politics and landscape are fiercely intertwined in the history of South Yorkshire, and Mort now demonstrates that she can write as assuredly on both subjects in novel form as in her poetry... Mort, in a beautifully accomplished debut, has blended a rich alloy: a deeply felt work of loss, time and healing -- Catherine Taylor * The Guardian *

Black Car Burning explores the ties that bind us: literally, while strung across a cliff face in high winds, or figuratively in the tenuous bonds that hold both relationships and communities together, and which we are all responsible for maintaining. It's especially gratifying to inhabit a female-focused world within a climbing scene still party defined by machismo and male bravado. Helen Mort's writing is confident and compassionate and this is a mature and evocative debut

-- Ben Myers * New Statesman *
Mort has reined in the poetry to write a gritty northern novel in a lean, unflashy prose, only letting herself go in lyrical interludes spoken by the landscape itself -- Phil Baker * Sunday Times *
Bold, imaginative…intensely realistic, swarming with minute physical and social detail… Mort writes brilliantly about the physical presence of the city, and she deals just as well with the tight focus of the climb... [Black Car Burning] is frequently exhilarating in its accurate sympathy, with some inch-perfect dialogue and astute observation throughout… Poet writes gripping novel: now there’s something you don’t hear every day -- Sean O'Brien * Times Literary Supplement *
An impressive, Sheffield-set tale… the disparate voices are held together by short passages in which the landscape itself is given voice. These act as welcome poetic rocks in the stream of the narrative… [and] are startling reminders of Mort’s considerable poetic skill -- Jude Cook * Spectator *

Black Car Burning

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A Paperback / softback by Helen Mort

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    View other formats and editions of Black Car Burning by Helen Mort

    Publisher: Vintage Publishing
    Publication Date: 16/07/2020
    ISBN13: 9781784706630, 978-1784706630
    ISBN10: 1784706639

    Description

    Book Synopsis

    The debut novel from the brilliant and award-winning poet Helen Mort

    Alexa is a police community support officer whose world feels unstable.

    Caron, Alexa’s girlfriend, is pushing her away and pushing herself even harder. A climber, she fixates on a brutal route. Leigh, who works at a local gear shop, watches Caron climb and feels complicit.

    Meanwhile, an ex-police officer compulsively revisits the April day in 1989 that changed his life forever. Trapped in his memories of the disaster, he tracks the Hillsborough inquests, questioning everything.

    As the young women negotiate Sheffield’s violent inheritance, the rock faces of Stanage and their relationships with each other, Mort stunningly grounds these journeys of trust and trauma, fear and falling, in the texture of the urban and natural terrain underfoot.

    'A beautifully accomplished debut...a deeply felt work of loss, time and healing' Guardian

    ‘Helen Mort is unmistakably one of the most brilliant poets of her generation; Black Car Burning shows her to be a remarkable novelist’ Robert Macfarlane



    Trade Review
    A love letter to [Mort's] home city of Sheffield... Politics and landscape are fiercely intertwined in the history of South Yorkshire, and Mort now demonstrates that she can write as assuredly on both subjects in novel form as in her poetry... Mort, in a beautifully accomplished debut, has blended a rich alloy: a deeply felt work of loss, time and healing -- Catherine Taylor * The Guardian *

    Black Car Burning explores the ties that bind us: literally, while strung across a cliff face in high winds, or figuratively in the tenuous bonds that hold both relationships and communities together, and which we are all responsible for maintaining. It's especially gratifying to inhabit a female-focused world within a climbing scene still party defined by machismo and male bravado. Helen Mort's writing is confident and compassionate and this is a mature and evocative debut

    -- Ben Myers * New Statesman *
    Mort has reined in the poetry to write a gritty northern novel in a lean, unflashy prose, only letting herself go in lyrical interludes spoken by the landscape itself -- Phil Baker * Sunday Times *
    Bold, imaginative…intensely realistic, swarming with minute physical and social detail… Mort writes brilliantly about the physical presence of the city, and she deals just as well with the tight focus of the climb... [Black Car Burning] is frequently exhilarating in its accurate sympathy, with some inch-perfect dialogue and astute observation throughout… Poet writes gripping novel: now there’s something you don’t hear every day -- Sean O'Brien * Times Literary Supplement *
    An impressive, Sheffield-set tale… the disparate voices are held together by short passages in which the landscape itself is given voice. These act as welcome poetic rocks in the stream of the narrative… [and] are startling reminders of Mort’s considerable poetic skill -- Jude Cook * Spectator *

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