Description

Book Synopsis
This beautiful jewel-toned purple and gold design is a shining star of bookbinding history.<#13>Originally crafted from red morocco leather with intricate filigree and golden pointellé, the binding has been in the collection of the Bibliothèque Nationale de France (BnF) since the Second Empire (18651870). It was designed by an unknown Parisian atelier to hold the Pars Hiemalis (or, winter) section of the Parisian Brevarium, a book that dictated the liturgical rites of the Catholic Church throughout the church year.<#13>The binding's contents were printed in 1645 by S. and G. Cramoisy, one of the first secular workshops given authority to print liturgical works for the Catholic Church. However, this manuscript and binding was likely produced for a book collector rather than having been used in service. With such brilliant filigree work, it is easy to see why a noted bibliophile of the era would commission the piece, and why the BnF would so proudly hold it in their

Bijou Solstice Star Ultra Unlined Hardcover

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£25.49

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Order before 4pm today for delivery by Mon 29 Dec 2025.

A Hardback by Paperblanks

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    View other formats and editions of Bijou Solstice Star Ultra Unlined Hardcover by Paperblanks

    Publisher: Paperblanks
    Publication Date: 01/01/2023
    ISBN13: 9781439793749, 978-1439793749
    ISBN10: 1439793743

    Description

    Book Synopsis
    This beautiful jewel-toned purple and gold design is a shining star of bookbinding history.<#13>Originally crafted from red morocco leather with intricate filigree and golden pointellé, the binding has been in the collection of the Bibliothèque Nationale de France (BnF) since the Second Empire (18651870). It was designed by an unknown Parisian atelier to hold the Pars Hiemalis (or, winter) section of the Parisian Brevarium, a book that dictated the liturgical rites of the Catholic Church throughout the church year.<#13>The binding's contents were printed in 1645 by S. and G. Cramoisy, one of the first secular workshops given authority to print liturgical works for the Catholic Church. However, this manuscript and binding was likely produced for a book collector rather than having been used in service. With such brilliant filigree work, it is easy to see why a noted bibliophile of the era would commission the piece, and why the BnF would so proudly hold it in their

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