Description
Book SynopsisThe study of medieval drama has long been hindered by the absence of a centralized, comprehensive bibliography that accommodates the wide-ranging interests of scholars and students. Existing references are often too narrow, focusing exclusively on specific genres like mysteries and miracles, or too limited in the number of entries. While resources such as Wells's Manual provide some guidance, their segmented supplements and restricted scope fall short of addressing the broader needs of the field. This bibliography seeks to fill that gap by encompassing a wide range of materials, including liturgical plays, mysteries, miracles, moralities, and interludes, while excluding formal comedies, tragedies, and masques. By incorporating not only English drama but also influential works from France, Germany, Italy, and Spain, the bibliography underscores the interconnectedness of medieval theatrical traditions across Europe. Organized into twelve main divisions with detailed subdivisions, the
