Description

This volume presents a spectrum of current research on ancient surface decoration (painting mosaic, and stuccowork/plasterwork) that offers new avenues of exploration and directions of inquiry. The collected essays draw from a wide range of disciplinary frameworks and integrate material analysis, the study of technical characteristics, the investigation of literary and archaeological evidence, and the interpretation and reconstruction of iconographic programs. Geographically, the papers focus on paintings from the Mediterranean world, including examples from the Bronze Age Aegean, the Hellenistic Levant, and Roman Campania and Greece. Exciting work on Classical Maya paintings in Guatemala augment the case studies from the Mediterranean region and provide an important opportunity for cross-cultural comparisons of ancient artistic and cultural practices as well as modern analytical approaches. By offering a wide chronological and geographic panorama, this volumes expands existing research on ancient surface decoration and aims to secure a broad and variable foundation for continued work.

Beyond Iconography: Materials, Methods, and Meaning in Ancient Surface Decoration

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Paperback / softback by Sarah Lepinski , Susanna McFadden

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Short Description:

This volume presents a spectrum of current research on ancient surface decoration (painting mosaic, and stuccowork/plasterwork) that offers new avenues... Read more

    Publisher: Archaeological Institute of America
    Publication Date: 02/09/2015
    ISBN13: 9781931909310, 978-1931909310
    ISBN10: 1931909318

    Number of Pages: 224

    Non Fiction , Art & Photography

    Description

    This volume presents a spectrum of current research on ancient surface decoration (painting mosaic, and stuccowork/plasterwork) that offers new avenues of exploration and directions of inquiry. The collected essays draw from a wide range of disciplinary frameworks and integrate material analysis, the study of technical characteristics, the investigation of literary and archaeological evidence, and the interpretation and reconstruction of iconographic programs. Geographically, the papers focus on paintings from the Mediterranean world, including examples from the Bronze Age Aegean, the Hellenistic Levant, and Roman Campania and Greece. Exciting work on Classical Maya paintings in Guatemala augment the case studies from the Mediterranean region and provide an important opportunity for cross-cultural comparisons of ancient artistic and cultural practices as well as modern analytical approaches. By offering a wide chronological and geographic panorama, this volumes expands existing research on ancient surface decoration and aims to secure a broad and variable foundation for continued work.

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