Description

Book Synopsis
The impact of digital surround sound on filmmaking

Trade Review

[Kerins] does a fine job of demonstrating a crucial aspect of the way that contemporary films are constructed in a distinctive way. This book provides a noteworthy addition to the literature on film sound, bringing our analytical literature into the twenty-first century and teaching his readers the value of listening closely to the way films are now being made.

* www.screeningthepast.com *

Table of Contents

Contents
Acknowledgments

Introduction

Part 1. Production and Style
1. Cinema's Hidden Multi-channel History and the Origins of Digital Surround
2. The Sound of 5.1: Aural Aesthetics
3. The Look of 5.1: Visual Aesthetics
4. Decoding the Digital Surround Style
5. Using the Digital Surround Style
Part 2. Analysis
6. Studying Multi-channel Soundtracks
7. Studying Image/Sound Interactions
Part 3. Theory
8. Body and Voice
9. Apparatus Theory
10. The Real and the Symbolic

Conclusion: Media and Media Studies in the Digital Surround Age

Appendix A: Timeline of Common Sound Exhibition Formats
Appendix B: Film Sound Personnel Cited
Notes
Bibliography
Filmography
Index

Beyond Dolby Stereo

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    £19.79

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    Order before 4pm tomorrow for delivery by Mon 20 Jul 2026.

    A Paperback / softback by Mark Kerins

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      View other formats and editions of Beyond Dolby Stereo by Mark Kerins

      Publisher: Indiana University Press
      Publication Date: Publication Date: 23/11/2010
      ISBN13: 9780253222527, 978-0253222527
      ISBN10: 0253222524

      Description

      Book Synopsis
      The impact of digital surround sound on filmmaking

      Trade Review

      [Kerins] does a fine job of demonstrating a crucial aspect of the way that contemporary films are constructed in a distinctive way. This book provides a noteworthy addition to the literature on film sound, bringing our analytical literature into the twenty-first century and teaching his readers the value of listening closely to the way films are now being made.

      * www.screeningthepast.com *

      Table of Contents

      Contents
      Acknowledgments

      Introduction

      Part 1. Production and Style
      1. Cinema's Hidden Multi-channel History and the Origins of Digital Surround
      2. The Sound of 5.1: Aural Aesthetics
      3. The Look of 5.1: Visual Aesthetics
      4. Decoding the Digital Surround Style
      5. Using the Digital Surround Style
      Part 2. Analysis
      6. Studying Multi-channel Soundtracks
      7. Studying Image/Sound Interactions
      Part 3. Theory
      8. Body and Voice
      9. Apparatus Theory
      10. The Real and the Symbolic

      Conclusion: Media and Media Studies in the Digital Surround Age

      Appendix A: Timeline of Common Sound Exhibition Formats
      Appendix B: Film Sound Personnel Cited
      Notes
      Bibliography
      Filmography
      Index

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