Description

Book Synopsis
The impact of digital surround sound on filmmaking

Trade Review

[Kerins] does a fine job of demonstrating a crucial aspect of the way that contemporary films are constructed in a distinctive way. This book provides a noteworthy addition to the literature on film sound, bringing our analytical literature into the twenty-first century and teaching his readers the value of listening closely to the way films are now being made.

* www.screeningthepast.com *

Table of Contents

Contents
Acknowledgments

Introduction

Part 1. Production and Style
1. Cinema's Hidden Multi-channel History and the Origins of Digital Surround
2. The Sound of 5.1: Aural Aesthetics
3. The Look of 5.1: Visual Aesthetics
4. Decoding the Digital Surround Style
5. Using the Digital Surround Style
Part 2. Analysis
6. Studying Multi-channel Soundtracks
7. Studying Image/Sound Interactions
Part 3. Theory
8. Body and Voice
9. Apparatus Theory
10. The Real and the Symbolic

Conclusion: Media and Media Studies in the Digital Surround Age

Appendix A: Timeline of Common Sound Exhibition Formats
Appendix B: Film Sound Personnel Cited
Notes
Bibliography
Filmography
Index

Beyond Dolby Stereo

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£19.79

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RRP £21.99 – you save £2.20 (10%)

Order before 4pm today for delivery by Tue 23 Dec 2025.

A Paperback / softback by Mark Kerins

15 in stock


    View other formats and editions of Beyond Dolby Stereo by Mark Kerins

    Publisher: Indiana University Press
    Publication Date: 23/11/2010
    ISBN13: 9780253222527, 978-0253222527
    ISBN10: 0253222524

    Description

    Book Synopsis
    The impact of digital surround sound on filmmaking

    Trade Review

    [Kerins] does a fine job of demonstrating a crucial aspect of the way that contemporary films are constructed in a distinctive way. This book provides a noteworthy addition to the literature on film sound, bringing our analytical literature into the twenty-first century and teaching his readers the value of listening closely to the way films are now being made.

    * www.screeningthepast.com *

    Table of Contents

    Contents
    Acknowledgments

    Introduction

    Part 1. Production and Style
    1. Cinema's Hidden Multi-channel History and the Origins of Digital Surround
    2. The Sound of 5.1: Aural Aesthetics
    3. The Look of 5.1: Visual Aesthetics
    4. Decoding the Digital Surround Style
    5. Using the Digital Surround Style
    Part 2. Analysis
    6. Studying Multi-channel Soundtracks
    7. Studying Image/Sound Interactions
    Part 3. Theory
    8. Body and Voice
    9. Apparatus Theory
    10. The Real and the Symbolic

    Conclusion: Media and Media Studies in the Digital Surround Age

    Appendix A: Timeline of Common Sound Exhibition Formats
    Appendix B: Film Sound Personnel Cited
    Notes
    Bibliography
    Filmography
    Index

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