Description
Book SynopsisBetween Urban Topographies and Political Spaces: Threshold Experiences uses the term threshold as a means to understand the relationship between Self and Other, as well as relationships between different cultures. The concept of threshold defines the relationship between inside and outside not in oppositional terms, but as complementaries. This book discusses the cultural and social border areas of modernity, which are to be understood not as zones in a territorial sense, but as spaces in between in which different languages and cultures operate. The essays in Between Urban Topographies and Political Spaces identify the dimension in urban topographies and political spaces where we are able to locate paradigmatic experiences of thresholds. Because these spaces are characterized by contradictions, conflicts, and aporias, we propose to rethink those hermeneutic categories that imply a sharp opposition between inside and outside. This means that the theoretical definition of threshold put
Trade ReviewThe refreshingly transdisciplinary essays in this timely volume make an impressive case for the Benjaminian concept of threshold experiences as a key paradigm for the 21st century. Ranging from European cultural and philosophical heritage to its political reality, they encourage us to embrace the complementarity in opposites. -- Ingo Cornils, University of Leeds
The threshold has long been recognized as a central organizing concept and figure in the work of Walter Benjamin and in the broad array of work in the humanities influenced by him. Between Urban Topographies and Political Spaces represents an important contribution to our understanding of this problem. Its essays focus on a number of key issues within the broader topic of space and liminality, emphasizing not just the physical spaces explored by Benjamin himself (Naples, Paris), but the threshhold spaces between genres, disciplines, concepts, and the sexes. A particularly intriguing opening section intervenes in contemporary debates on the idea of Europe, using Benjamin’s ideas as a launch pad—and hammer. This volume is a signal scholarly achievement. -- Michael W. Jennings, Princeton University
Table of ContentsTable of Contents Introduction Part I: Thresholds 1. Bernhard Waldenfels, Threshold Experiences 2. Alexis Nuselovici, Europe, from Threshold to Threshold 3. Massimo Donà, The Singing of the Sirens 4. Félix Duque, The European Membrane Part II: Spaces in between 5. Mauro Ponzi, Naples as Topography of Spaces in Between: Walter Benjamin and the Threshold between Old and New 6. Pietro Montani, Feeling Obliged: Ethics and Aesthetics of Intermediate Spaces 7. Fabio Vighi, Between the Two Deaths: the Real as Threshold 8. Dario Gentili, Paris Topographies of Capitalism: the Nineteenth-Century Metropolis 9. Gabriele Guerra, “But the Dioscuri”: Between Labyrinth and Temple: Walter Benjamin’s Topographies Part III: Heterotopies 10. Vittoria Borsò, On the Threshold between Visibility and Sayability: the Event of Visuality in the Materiality of the Image 11. Elettra Stimilli, The Threshold between Debt and Guilt 12. Irene Kajon, The Biblical Metaphor of the Threshold in Rosenzweig and Kafka 13. Wolfgang Müller-Funk, The Sphinx as a Threshold Figure: about the Limits between the Sexes 14. Elio Matassi, Trauerspiel and Opera in Walter Benjamin Works Cited Index About the contributors
