Description

Book Synopsis
The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.

Trade Review
"A strong collection that is carefully organized around a clearly defined set of themes and interests. The volume poses questions of the always dynamic, transitional and 'feedback-looped' relationship between, on the one hand, paper and print-based forms, histories and archives; and, on the other, electronic media and textualities." -- -Simon Morgan Wortham University of Portsmouth "A state of the art book. Understanding the effects of the rapid changes from a print culture to a digital culture is of major importance these days." -- -J. Hillis Miller University of California, Irvine

Table of Contents
Part 1 Mediality, Digitality, Subjectivity Chapter 1 Samuel Weber "Medium, Reflexivity, and the Economy of the Self" Chapter 2 Anthony Curtis Adler "Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph" Chapter 3 Joanna Zylinksa "What if Foucault Had Had a Blog?" Chapter 4 Kiene Brillenburg Wurth "Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age" Part 2 Digital Refexivities: Prose, Poetry, Code Chapter 5 Katherine Hayles "Intermediation: the Pursuit of a Vision" Chapter 6 Marie-Laure Ryan "Net.art: Dysfunctionality and Self-Reflexivity" Chapter 7 Katalin Sandor "Moving (the) Text: From Print to the Visual" Chapter 8 Federica Frabetti "Technology Made Legible" Part 3 Intermedial Reflexivities: Film, Writing, Script Chapter 9 Peter Verstraeten "Cinema as a Digest of Literature: A 'Remedy' Against Adaptation Fever" Chapter 10 Lovorka Gruic, Kiene Brillenburg Wurth "Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon" Chapter 11 Jan Baetens "Novelizing Tati" Chapter 12 Martijn Engelberts "Copycat-and -Mouse: the Printed Screenplay and the Literary Field in France" Part 4 New Literacies, Education, and Accessibility Chapter 13 William Uricchio "The New Literacies. Technology and Cultural Form" Chapter 14 Asuncion Lopez Varela "Posthuman Inscriptions & Humachine Environments: Visibility, Blogging and the Construction of Subjectivity in Educational Spaces" Chapter 15 Gary Hall "The Singularity of New Media"

Between Page and Screen

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    A Paperback / softback by Kiene Brillenburg Wurth

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      Publisher: Fordham University Press
      Publication Date: Publication Date: 10/10/2012
      ISBN13: 9780823239061, 978-0823239061
      ISBN10: 0823239063

      Description

      Book Synopsis
      The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.

      Trade Review
      "A strong collection that is carefully organized around a clearly defined set of themes and interests. The volume poses questions of the always dynamic, transitional and 'feedback-looped' relationship between, on the one hand, paper and print-based forms, histories and archives; and, on the other, electronic media and textualities." -- -Simon Morgan Wortham University of Portsmouth "A state of the art book. Understanding the effects of the rapid changes from a print culture to a digital culture is of major importance these days." -- -J. Hillis Miller University of California, Irvine

      Table of Contents
      Part 1 Mediality, Digitality, Subjectivity Chapter 1 Samuel Weber "Medium, Reflexivity, and the Economy of the Self" Chapter 2 Anthony Curtis Adler "Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph" Chapter 3 Joanna Zylinksa "What if Foucault Had Had a Blog?" Chapter 4 Kiene Brillenburg Wurth "Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age" Part 2 Digital Refexivities: Prose, Poetry, Code Chapter 5 Katherine Hayles "Intermediation: the Pursuit of a Vision" Chapter 6 Marie-Laure Ryan "Net.art: Dysfunctionality and Self-Reflexivity" Chapter 7 Katalin Sandor "Moving (the) Text: From Print to the Visual" Chapter 8 Federica Frabetti "Technology Made Legible" Part 3 Intermedial Reflexivities: Film, Writing, Script Chapter 9 Peter Verstraeten "Cinema as a Digest of Literature: A 'Remedy' Against Adaptation Fever" Chapter 10 Lovorka Gruic, Kiene Brillenburg Wurth "Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon" Chapter 11 Jan Baetens "Novelizing Tati" Chapter 12 Martijn Engelberts "Copycat-and -Mouse: the Printed Screenplay and the Literary Field in France" Part 4 New Literacies, Education, and Accessibility Chapter 13 William Uricchio "The New Literacies. Technology and Cultural Form" Chapter 14 Asuncion Lopez Varela "Posthuman Inscriptions & Humachine Environments: Visibility, Blogging and the Construction of Subjectivity in Educational Spaces" Chapter 15 Gary Hall "The Singularity of New Media"

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