Description

Book Synopsis
This collection of essays is designed to capitalize on the success of Seamus Heaney' prize-winning translation of Beowulf, which bridges the gap between the ivory tower where most who study Beowulf reside and lay readers drawn to the poem because of Heaney's reputation, the review in the New York Times Book Review, the Whitbread Prize for poetry, and even perhaps the attractive and eye-catching cover. The book is conceived in three parts. The first section explores translations into modern English and languages other than English; the second explores issues of oral theory and performance; the third offers a wide selection of reviews of Heaney's Beowulf written by Anglo-Saxonists. A DVD of readings of the first fifty-two lines of Beowulf in Old English, Czech, Spanish, Icelandic, Hungarian, and Italian, and selections from Turkish and Asian epics accompanies the volume.

Table of Contents
Introduction
Part 1. Essays on Translation
The Languages of Beowulf between Klaeber and Heaney by Daniel Donoghue
Who’s Afraid of Translating Beowulf? by Nicholas Howe
Iron and Irony in Beowulf by R. M. Liuzza
Monstrous Introductions: Ellengaest and Aglaecwif by Jana K. Schulman
Sweet's Prose Beowulf by Paul E. Szarmach
Behemas þa Hildlatan: Beowulf and Its First Translation into Czech by Jan Cermák
Beowulf in Spanish by María José Gómez-Calderón
Beowulf in Hungarian by Katalin Halácsy Scholz
Italian Translations of Beowulf by Claudia Di Sciacca and Loredana Teresi
The Intimacy of Bjólfskviða by Pétur Knútsson
Part 2. Essays on Performance
Performance I: Beowulf (A Roundtable Discussion) by Mark Amodio, Benjamin Bagby, Karl Reichl, and John Miles Foley
Why Performance Matters by John Miles Foley
"Swutol sang scopes": Field Notes on the Performance of Beowulf by Karl Reichl
Part 3. Reviews of Heaney's Beowulf
By Michael Alexander, S. A. J. Bradley, Graham Caie, Jan Cermák, Howell Chickering, Daniel Donoghue, Randi Eldevik, Loren C. Grube, Nicholas Howe, Heather O'Donoghue, Tom Shippey, E. G. Stanley, G. Storms, Julian Wasserman, Hideki Watanabe,
Gernot Wieland, and Jonathan Wilcox

Beowulf at Kalamazoo: Essays on Translation and

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    A Hardback by Jana K. Schulman, Paul E. Szarmach

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      Publisher: Medieval Institute Publications
      Publication Date: Publication Date: 01/01/2012
      ISBN13: 9781580441520, 978-1580441520
      ISBN10: 1580441521

      Description

      Book Synopsis
      This collection of essays is designed to capitalize on the success of Seamus Heaney' prize-winning translation of Beowulf, which bridges the gap between the ivory tower where most who study Beowulf reside and lay readers drawn to the poem because of Heaney's reputation, the review in the New York Times Book Review, the Whitbread Prize for poetry, and even perhaps the attractive and eye-catching cover. The book is conceived in three parts. The first section explores translations into modern English and languages other than English; the second explores issues of oral theory and performance; the third offers a wide selection of reviews of Heaney's Beowulf written by Anglo-Saxonists. A DVD of readings of the first fifty-two lines of Beowulf in Old English, Czech, Spanish, Icelandic, Hungarian, and Italian, and selections from Turkish and Asian epics accompanies the volume.

      Table of Contents
      Introduction
      Part 1. Essays on Translation
      The Languages of Beowulf between Klaeber and Heaney by Daniel Donoghue
      Who’s Afraid of Translating Beowulf? by Nicholas Howe
      Iron and Irony in Beowulf by R. M. Liuzza
      Monstrous Introductions: Ellengaest and Aglaecwif by Jana K. Schulman
      Sweet's Prose Beowulf by Paul E. Szarmach
      Behemas þa Hildlatan: Beowulf and Its First Translation into Czech by Jan Cermák
      Beowulf in Spanish by María José Gómez-Calderón
      Beowulf in Hungarian by Katalin Halácsy Scholz
      Italian Translations of Beowulf by Claudia Di Sciacca and Loredana Teresi
      The Intimacy of Bjólfskviða by Pétur Knútsson
      Part 2. Essays on Performance
      Performance I: Beowulf (A Roundtable Discussion) by Mark Amodio, Benjamin Bagby, Karl Reichl, and John Miles Foley
      Why Performance Matters by John Miles Foley
      "Swutol sang scopes": Field Notes on the Performance of Beowulf by Karl Reichl
      Part 3. Reviews of Heaney's Beowulf
      By Michael Alexander, S. A. J. Bradley, Graham Caie, Jan Cermák, Howell Chickering, Daniel Donoghue, Randi Eldevik, Loren C. Grube, Nicholas Howe, Heather O'Donoghue, Tom Shippey, E. G. Stanley, G. Storms, Julian Wasserman, Hideki Watanabe,
      Gernot Wieland, and Jonathan Wilcox

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