Description

Book Synopsis

Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays.

Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His FallVolpone, or the Fox; Epicoene, or the Silent WomanThe AlchemistCatiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays.

Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/chu

Ben Jonson and the Art of Secrecy

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    A Paperback by William W. E. Slights

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      Publisher: University of Toronto Press
      Publication Date: Publication Date: 12/15/1994 12:00:00 AM
      ISBN13: 9781442655027, 978-1442655027
      ISBN10: 144265502X

      Description

      Book Synopsis

      Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays.

      Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His FallVolpone, or the Fox; Epicoene, or the Silent WomanThe AlchemistCatiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays.

      Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/chu

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