Description
Book SynopsisSince coming to public notice through major museum catalogues and the work of Carl Schorske around 1980,
fin de siècle Vienna has been cast as the final bloom of a dying culture. Yet this assessment is itself a historical construct, deriving from the politics of the twentieth century. This volume argues that Habsburg nostalgia is anything but backward looking: instead, images from this glittering Habsburg past become evidence of a culture's sophisticated sense of how and why history is made, in both official and popular spheres. Including the first translation of an original account of Crown Prince Rudolf's suicide at Mayerling in 1889,
Belle Necropolis argues for Austria's continued reuse of its own history to point the way toward the future rather than simply memorializing a past that only exists as living memories of shared stories, not as a truth in itself. Case studies included here range from imperial stereotypes before 1900 through their adaptations in the film
Table of Contents
Contents: From Mayerling’s Ghosts to Today’s Revenants: An Introduction to the Memory Cultures of Austria – The Persistence of Mitteleuropa in Memory: The Ghosts of Central Europe – Habsburg Nostalgia as Postmemory, and What Comes After – «Glücklich ist, wer [nicht] vergißt»: From Broadway to the Necropolis – Building the Habsburg Subject: Scholarly Historical Fictions.
