Description

Book Synopsis

The annual Beijing Film Academy Yearbook showcases the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies.

The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.



Table of Contents

Notes on Translation

Preface

Chapter 1: Discussion Panel on the Survival of Film Festivals and Arthouse Cinema Exhibitions in China

Wu Guanping, Zhang Xianmin, Sha Dan and Yang Cheng

Chapter 2: A Series of Essays on the Historical Experience of Chinese Film Criticism and Its Ongoing Challenges

Dai Jinhua, Wang Yichuan, Rao Shuguang, Zhang Yiwu, Zhang Wei, Chen Xuguang and Chen Xiaoyun

Chapter 3: The Ambitious Position of Subjectivity in Mr Six

Zhang Huiyu

Chapter 4: Political Pedagogy, Entertainment and Religious Doctrine: The Triple Identity of Cinema in Republican Era China

Lui Dishan

Chapter 5: The Awkward Spectator and Dormant Subjectivity: The Reconfiguration and Reconceptualisation of Subjectivity in Film Spectatorship According to the 'Bullet Curtain' Phenomenon

Zhao Yue

Chapter 6: The Generic Discourse of Taiwanese Social Realist Crime Films (1979–83): An On-Screen Reflection of Taiwan in the 1970s

Li Ying

Chapter 7: The 'Suffering Narrative' and New Crude Stage Play

He Liang

Chapter 8: Revisit and Re-review: Producing Yan Ruisheng and Rethinking Its Significance in Chinese Film History

Zhang JuanJuan

Notes on Contributors

Journal of BFA Advisory and Editorial Board

Notes on Intellect China Library Series

Beijing Film Academy Yearbook 2017

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    A Hardback by Journal of Beijing Film Academy, Hiu Man Chan, Wentao Ma

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      Publisher: Intellect Books
      Publication Date: 10/04/2019
      ISBN13: 9781783209316, 978-1783209316
      ISBN10: 1783209313

      Description

      Book Synopsis

      The annual Beijing Film Academy Yearbook showcases the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies.

      The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.



      Table of Contents

      Notes on Translation

      Preface

      Chapter 1: Discussion Panel on the Survival of Film Festivals and Arthouse Cinema Exhibitions in China

      Wu Guanping, Zhang Xianmin, Sha Dan and Yang Cheng

      Chapter 2: A Series of Essays on the Historical Experience of Chinese Film Criticism and Its Ongoing Challenges

      Dai Jinhua, Wang Yichuan, Rao Shuguang, Zhang Yiwu, Zhang Wei, Chen Xuguang and Chen Xiaoyun

      Chapter 3: The Ambitious Position of Subjectivity in Mr Six

      Zhang Huiyu

      Chapter 4: Political Pedagogy, Entertainment and Religious Doctrine: The Triple Identity of Cinema in Republican Era China

      Lui Dishan

      Chapter 5: The Awkward Spectator and Dormant Subjectivity: The Reconfiguration and Reconceptualisation of Subjectivity in Film Spectatorship According to the 'Bullet Curtain' Phenomenon

      Zhao Yue

      Chapter 6: The Generic Discourse of Taiwanese Social Realist Crime Films (1979–83): An On-Screen Reflection of Taiwan in the 1970s

      Li Ying

      Chapter 7: The 'Suffering Narrative' and New Crude Stage Play

      He Liang

      Chapter 8: Revisit and Re-review: Producing Yan Ruisheng and Rethinking Its Significance in Chinese Film History

      Zhang JuanJuan

      Notes on Contributors

      Journal of BFA Advisory and Editorial Board

      Notes on Intellect China Library Series

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