Description
Book SynopsisThe Beijing Film Academy (BFA) is one of the most revered film institutions in the world. Since 1984, the BFA’s Department of Film Studies has been publishing the
Journal of the Beijing Film Academy, the only journal of film theory that integrates film education in higher learning with film theory studies. Now, coinciding with dramatically increased interest in Chinese cinema, comes the
Beijing Film Academy Yearbook, showcasing the best academic debates, discussions and research from the academy in 2015 – all available for the first time in English. Aimed at narrowing the cultural gap for cross-cultural research, the book contributes not only to scholarly work on Chinese cinema, but also to film and media studies more generally.
Table of ContentsAcknowledgement
Foreword
WU Guangping (Editor-in-Chief of the Journal of Beijing Film Academy)
Chapter 1: An Analysis of Educational Characteristics and Developments of Beijing Film Academy: A Reflection of Film Education on the 120th Anniversary of Film
HOU Guangming
Chapter 2: Annual Report on the Development of China’s Film Industry 2013
LIU Jing, WEI Jinru
Chapter 3: On Cinema Operation and Management in the Context of the Cyber-Era
ZHANG Huijun, LU Yang, ZHU Tao
Chapter 4: The Present State and the Problems of Chinese Cinema
LIU Fan
Chapter 5: How Will Art Film Make a Real Breakthrough: An Analysis of Several Trends in China’s Art Film Promotion
PENG Ke
Chapter 6: An Emic Study of the Impact of Jun’ichiroÝ Tanizaki
ZHANG Chong
Chapter 7: The Lens of an Intertextual Era: Reinterpretation of the Film A Twig of Plum Blossoms
QI Xian’gu
Chapter 8: Surpass Stereotypes: Study on Li Wei’s Seventeen-Year Villain Performance
DING Ning
Chapter 9: Cut-throat Rivalry, Who Will Be the Winner?
SHAO Bocong
Notes on Contributors
Editorial Board Information
