Description

In this contemporary Chinese novel, a family opera performers struggles to remain true to each other and their art as they are buffeted by political turmoil and personal drama.

The eventful lives of three generations of outstanding Chinese opera performers form the framework of Behind the Singing Masks, a story of turmoil and resolution, both personal and political.

Xie Yingge, a celebrated dan actor of Yue Ju (also known as Shaoxing Opera), grew up and thrived in an environment alive with music. But just as she and her art form were at their zenith in the 1960s, the Cultural Revolution arrived to tear them down. After the decade-long turmoil, as Xie Yingge was poised to revive her career, a stroke forced her to leave the stage for good. To perpetuate the stage persona she had devoted her life to creating, she directed, with the complicity of her younger sister and her stage partner, a play of masks that lasted sixteen years.

Was it life imitating art or art imitating life? This engaging story of human frailties, magnified by political movements, is marked by betrayal but also dedication, both to loved ones and to art.

Behind the Singing Masks

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Paperback / softback by Wang Xiaoying , Wang Jiren

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Short Description:

In this contemporary Chinese novel, a family opera performers struggles to remain true to each other and their art as... Read more

    Publisher: Shanghai Press
    Publication Date: 07/10/2014
    ISBN13: 9781602202474, 978-1602202474
    ISBN10: 1602202478

    Number of Pages: 300

    Fiction , Anthologies & Short Stories

    Description

    In this contemporary Chinese novel, a family opera performers struggles to remain true to each other and their art as they are buffeted by political turmoil and personal drama.

    The eventful lives of three generations of outstanding Chinese opera performers form the framework of Behind the Singing Masks, a story of turmoil and resolution, both personal and political.

    Xie Yingge, a celebrated dan actor of Yue Ju (also known as Shaoxing Opera), grew up and thrived in an environment alive with music. But just as she and her art form were at their zenith in the 1960s, the Cultural Revolution arrived to tear them down. After the decade-long turmoil, as Xie Yingge was poised to revive her career, a stroke forced her to leave the stage for good. To perpetuate the stage persona she had devoted her life to creating, she directed, with the complicity of her younger sister and her stage partner, a play of masks that lasted sixteen years.

    Was it life imitating art or art imitating life? This engaging story of human frailties, magnified by political movements, is marked by betrayal but also dedication, both to loved ones and to art.

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