Description
Book SynopsisJorge Olivares connects the personal, political, and artistic trajectories of the Cuban writer Reinaldo Arenas (1943—1990) to Arenas's insights into the Cuban Revolution, the struggles of exiles, and the politics of sexuality.
Trade Review"Clearly the product of years of research and reflection, this is by far the most thorough, persuasive, and profound account of Arenas's career to date. The author's mastery of writings by and about Arenas is impressive. The discussion of Arenas's fiction and nonfiction, focused on what Olivares calls 'paternal erotics,' is always instructive and often quite brilliant. The use of Arenas's unpublished materials, including early drafts of published works, not only throws new light on his published fiction but allows the reader to become acquainted with a largely unknown corpus of writing. As in the best criticism, there is an intimacy between observer and observed that, without leading to uncritical appreciation, makes for a memorable reading experience."—
Gustavo Pérez Firmat, author of
The Havana Habit"Jorge Olivares’s book reads like an engrossing novel whose main character—the phenomenally talented Reinaldo Arenas—has a vitality and genius that haunt our imagination. This very personal, and relevant, work of literary criticism is a fitting tribute to a brave and great writer."—
Jaime Manrique, author of
Eminent Maricones: Arenas, Lorca, Puig, and Me“[A] fascinating view of Cuban history, culture, and sexuality that should, if nothing else, send one back to that thrilling jeremiad,
Before Night Falls.” -- Andrew Holleran * Gay & Lesbian Review *
“Olivares . . . draws from his personal connection with Arenas to illuminate novels and short stories by this daring writer . . . . Summing Up: Recommended. Upper-division undergraduates through faculty.” -- R. Ocasio * Choice *
“Jorge Olivares's admiring, meticulously researched study aims to establish Arenas's status as one of the maJor writers of the 1960s and 70s: a figure to stand comparison with Gabriel García Márquez or Mario Vargas Llosa.” -- Stephen Henighan * TLS *
"Olivares carries the weight of a thorough and profund critique of Arenas's work, while transcending the boundaries of literary criticism to become the novel of the life and work of Reinaldo Arenas." -- Maria Luisa Negrin * Bulletin of Hispanic Studies *
“
Becoming Reinaldo Arenas is an exemplary work of literary criticism. Using biographical criticism, intertextuality, and queer theory, Jorge Olivares presents a comprehensive study of Arenas’s literary work that balances careful readings of a number of short stories and novels with readings of his autobiography, unpublished correspondence, and drafts.” -- Anke Birkenmaier * New West Indian Guide *
"
Becoming Reinaldo Arenas simply inspires us to reread this all-too-neglected author. Olivares' book invites us to view Arenas as a central figure in multiple literary canons, not least a trans-American queer canon. But beyond its conception of queer kinship,
Becoming Reinaldo Arenas advocates for the centrality of queer experience to Cuban literature." -- Octavio R. Gonzalez * Sargasso *
Table of ContentsAcknowledgments ix
Note on Translations xiii
Prologue. Encountering Arenas 1
1. I Scream, Therefore I Am 7
2. Climbing the Family Tree 36
3. In Search of the Father(land) 65
4. All About Mother 91
5. Facing AIDS 114
Epilogue. After Night Falls 148
Notes 173
Works Cited 203
Index 231
