Description
Book SynopsisThe question of what it means to be human has preoccupied thinkers since antiquity. The classical humanism of the Italian Renaissance saw humanity as hierarchical, with elite European males at the apex while women, lower class or foreign men, and animals occupied varying lesser degrees of being. Using the theme of domestication to interrogate the intertwined notions of femininity, sexuality, and animality, Juliana Schiesari looks to early modern Italy to uncover the origins of the modern conception of the human.
Beasts and Beauties examines the relationship between domesticity and power by focusing on the contemporaneous development of two phenomena - the invention of the ''pet'' and the delineation of the home as a uniquely private enclosure, where the pater familias ruled over his own secluded world of domesticated wife, children, servants, and animals. Drawing upon canonical works and authors of the Italian Renaissance, Schiesari discusses how the figure of the ani
Table of Contents
Table of Contents Introduction31."Jewels of Women": Ladies, Laps and Lapdogs in Renaissance Culture212.Portrait of the Poet as a Dog: Petrarch's Epistola Metrica III, 5473.Alberti's Cavallo Vivo, or The "Art" of Domination654.Della Porta's Face of Domestication: Physiognomy, Gender Politics and Humanism's Others825. Psychoanalytic Intermezzo: Freud's Missed Reading of Leonardo's Alternative Humanism1126.Versions of Diana: Gender and Renaissance Mythography135
