Description

Painted in 1468, Saint Michael Triumphant over the Devil is the first documented work by Bartolomé Bermejo (c. 1440–c. 1501), a 15th-century Spanish artist by whom only about 20 paintings are known. Acquired by the National Gallery in 1995, the painting depicts the Archangel Michael defeating Satan, in the form of a hybrid monster, with Antoni Joan, feudal lord of Tous, kneeling nearby. The work is remarkable for its mastery of the oil-painting technique, influenced by Netherlandish painting and unrivaled by Bermejo’s contemporaries in Spain. Following the painting’s detailed technical examination and restoration, the authors provide a fascinating account of this rare work, accompanied by high quality new photography and placing the painting in the broader context of Bermejo’s career in 15th-century Aragon.

Published by National Gallery Company/Distributed by Yale University Press


Exhibition Schedule:

National Gallery, London
(06/12/19–09/29/19)

Bartolomé Bermejo: Master of the Spanish Renaissance

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Hardback by Letizia Treves , Paul Ackroyd

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Painted in 1468, Saint Michael Triumphant over the Devil is the first documented work by Bartolomé Bermejo (c. 1440–c. 1501),... Read more

    Publisher: National Gallery Company Ltd
    Publication Date: 04/06/2019
    ISBN13: 9781857096446, 978-1857096446
    ISBN10: 1857096444

    Number of Pages: 128

    Non Fiction , Art & Photography

    Description

    Painted in 1468, Saint Michael Triumphant over the Devil is the first documented work by Bartolomé Bermejo (c. 1440–c. 1501), a 15th-century Spanish artist by whom only about 20 paintings are known. Acquired by the National Gallery in 1995, the painting depicts the Archangel Michael defeating Satan, in the form of a hybrid monster, with Antoni Joan, feudal lord of Tous, kneeling nearby. The work is remarkable for its mastery of the oil-painting technique, influenced by Netherlandish painting and unrivaled by Bermejo’s contemporaries in Spain. Following the painting’s detailed technical examination and restoration, the authors provide a fascinating account of this rare work, accompanied by high quality new photography and placing the painting in the broader context of Bermejo’s career in 15th-century Aragon.

    Published by National Gallery Company/Distributed by Yale University Press


    Exhibition Schedule:

    National Gallery, London
    (06/12/19–09/29/19)

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