Description
Book SynopsisIn 1959, the Bolshoi Ballet arrived in New York for its first ever performances in the United States. The tour was part of the Soviet-American cultural exchange, arranged by the governments of the US and USSR as part of their Cold War strategies. This book explores the first tours of the exchange, by the Bolshoi in 1959 and 1962, by American Ballet Theatre in 1960, and by New York City Ballet in 1962. The tours opened up space for genuine appreciation of foreign ballet. American fans lined up overnight to buy tickets to the Bolshoi, and Soviet audiences packed massive theaters to see American companies. Political leaders, including Khrushchev and Kennedy, met with the dancers. The audience reaction, screaming and crying, was overwhelming.But the tours also began a series of deep misunderstandings. American and Soviet audiences did not view ballet in the same way. Each group experienced the other''s ballet through the lens of their own aesthetics. Americans loved Soviet dancers but beli
Trade ReviewSupported by an exacting scholarly apparatus, this is a valuable resource for those interested in dance, choreography, and the history of performance and the arts and diplomacy. Bravissima! * M. E. Snodgrass, CHOICE *
Supported by an exacting scholarly apparatus, this is a valuable resource for those interested in dance, choreography, and the history of performance and the arts and diplomacy. Bravissima! Summing Up: Essential. * CHOICE *
Dr. Searcy's research is invigorating. She guides us with a sure hand through the political thickets to a deeper appreciation of the art. Highly recommended. * Danielle Fosler-Lussier, The Ohio State University *
Ballet in the Cold War offers a vibrant portrait of Cold War cultural exchange, brimming with insights into cultural politics, institutions, and the social meanings of music and dance. This engaging and carefully researched study is essential reading for anyone interested in the arts during the Cold War and the effects of culture on global politics. * Kevin Bartig, Michigan State University *
Table of ContentsAcknowledgements Note on Transliteration and Translation Introduction 1. A Cold War Welcome: The Bolshoi Ballet's 1959 Tour of the United States 2. Bringing an American Report Card to Russia: American Ballet Theatre's 1960 Tour of the Soviet Union 3. A Question of Taste: The Bolshoi Ballet's 1962 Tour of the United States 4. "Ballet is a Flower!": New York City Ballet's 1962 Tour of the Soviet Union Epilogue: Exchange in the Twenty-first Century Note on Abbreviations Endnotes Index
