Description

Book Synopsis
The initial volume in a series of American Bach Society Guides, Bach''s Art of Fugue and Musical Offering is a comprehensive study of two closely related masterworks of the late Baroque fugal style. This compact guide, intended for practitioners, music scholars, and a general readership, summarizes a considerable body of knowledge about these famously cerebral collections in an engaging and accessible style. Bach specialist and keyboard player Matthew Dirst explains the Art of Fugue and Musical Offering''s idiosyncratic musical language while reviewing how both projects took shape during Bach''s final decade. They reflect Bach''s lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Dirst provides commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach''

Table of Contents
Foreword Acknowledgements Introduction 1. Contrapuntal Pursuits 2. Origins and Audience 3. From One, Many 4. Musical Gaming 5. Paying Tribute 6. Elusive Ideals Glossary Bibliography Index

Bachs Art of Fugue and Musical Offering

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    A Paperback / softback by Matthew Dirst

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      Publisher: Oxford University Press Inc
      Publication Date: 08/02/2024
      ISBN13: 9780197536643, 978-0197536643
      ISBN10: 197536646

      Description

      Book Synopsis
      The initial volume in a series of American Bach Society Guides, Bach''s Art of Fugue and Musical Offering is a comprehensive study of two closely related masterworks of the late Baroque fugal style. This compact guide, intended for practitioners, music scholars, and a general readership, summarizes a considerable body of knowledge about these famously cerebral collections in an engaging and accessible style. Bach specialist and keyboard player Matthew Dirst explains the Art of Fugue and Musical Offering''s idiosyncratic musical language while reviewing how both projects took shape during Bach''s final decade. They reflect Bach''s lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Dirst provides commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach''

      Table of Contents
      Foreword Acknowledgements Introduction 1. Contrapuntal Pursuits 2. Origins and Audience 3. From One, Many 4. Musical Gaming 5. Paying Tribute 6. Elusive Ideals Glossary Bibliography Index

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