Description

Book Synopsis

Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the gap between ornithological and humanities knowledge. This book contains fifteen innovative essays that bridge various environment-focused perspectives and methodologies in order to include birds in current conversations within the field of animal studies. This collection challenges species centrism, advances a biodiverse ontology, and embraces bird-centered topics as diverse as gaming, comic strips, window collisions, conservation literature, youth birding, mourning theory, and the “Birds Aren’t Real” movement.



Trade Review

"These essays constitute an intense and fascinating study of the strangeness of birds and the variety of ways writers and other cultural creators try to comprehend and represent them. This book provides enlightening considerations of what birds do for us culturally—from powering flights of imagination to providing the most accessible entrance to the natural world—and what we do to birds as we mistakenly humanize them and directly or indirectly destroy them."

-- Sayre Greenfield, University of Pittsburgh at Greensburg

"Avian Aesthetics offers a valuable contribution to animal studies and the environmental humanities, exploring the 'multispecies entanglements' of people and birds in literature, art and media from a variety of productive angles. The writers collectively make a potent case for the need to think more deeply and broadly about the relations between the human and avian imaginary."

-- Alex Wetmore, University of the Fraser Valley and author of Men of Feeling in Eighteenth-Century Literature

“Avian Aesthetics is a careful compilation that is informed by a nuanced understanding of environmental studies, and the particularities of avian studies within. DiMarco and Ruppert establish a firm theoretical framework for avian study while at the same time creating space for a variety of disciplinary approaches. Through incisive and unapologetically tender engagement with avian aesthetics, the collection beautifully expands the scope of what is traditionally imagined as ‘environmental texts’ to undergird the often neglected reality that humans are always at once a part of nonhuman nature, with avian life offering us both a literal and figurative reminder of how fleeting this mutuality can seem in a modern and industrialized world. Traversing genre, ocean, and critical lens, the collection successfully enacts the very principle of entanglement that it seeks to articulate.”

-- Christine Cusick, Seton Hill University

Avian aestheticsis an important contribution to the field of ecocriticism, bridging academia and environmentalism, fostering transdisciplinary scholarship, placing birds at the center where they belong rather than the periphery they have sometimes been consigned to. It offers a wealth of perspectives that will be of interest to anyone concerned with representations of birds and human-bird relations in literature.

* Journal of Ecohumanism *

Table of Contents

Introduction: The Continuous Line Between Birds and Humans in Animal Studies Today

Danette DiMarco and Timothy Ruppert

SECTION 1 - The Avian-ness of Aesthetics

Chapter 1: Birdwatching and Wordwatching: The Avian Aesthetics of Virginia Woolf’s Mrs Dalloway

Jemma Deer

Chapter 2

Birds as Character, Motif, Allusion, and Symbol in Meir Shalev’s A Pigeon and a Boy

Laura Major

Chapter 3: “With An Aviary Inside Its Head”: Surrealist Sensibilities and Avian Ontologies in the Work of J. G. Ballard and Ted Hughes

Declan Lloyd

Chapter 4: The Optimism of Flight: Magical Realism in Little Nemo in Slumberland

Mark O’Connor

SECTION 2 - Writing About/Like Birds

Chapter 5: The Fate of Birds in Anatole France’s Penguin Island

Timothy Ruppert

Chapter 6: Of Curlews and Crows: Representations of Avian Cognition in North American Animal Stories

Jennifer Schell

Chapter 7: What is it like to write (like) a bird?: Rethinking Literary Practice to Support Avian Subjectivity

Joshua Lobb

Chapter 8: Margaret Atwood’s Bird Narratives

Danette DiMarco

SECTION 3 - Entangled Worlds

Chapter 9: The Peregrine: At the Intersection of Ecocriticism and New Nature Writing

Debarati Bandyopadhyay

Chapter 10: Helen Macdonald, T. H. White, and Hawks: H is [also] for History

Louis J. Boyle

Chapter 11: Across So Wide a Sea: Humans, Seabirds, and the Kinship of Mortality

Keri Stevenson

Chapter 12: Collisions in Contemporary American Poetry

Calista McRae

SECTION 4 - Consumers Consuming Birds

Chapter 13: “Their Little Brethren of the Air”: Rhetoric of Youth Birding in the United States, 1890s-Present

Laura McGrath

Chapter 14: Birds Aren’t Real: Narrative and Aesthetic Irony in For-Profit Conspiracy

Lauren Shoemaker

Chapter 15: Laying Eggs: Ludothematic Resonance and the Birds of Wingspan

Christopher Moore

Avian Aesthetics in Literature and Culture: Birds

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    RRP £30.00 – you save £3.00 (10%)

    Order before 4pm tomorrow for delivery by Sat 27 Jun 2026.

    A Paperback / softback by Danette DiMarco, Timothy Ruppert, Debarati Bandyopadhyay

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      View other formats and editions of Avian Aesthetics in Literature and Culture: Birds by Danette DiMarco

      Publisher: Lexington Books
      Publication Date: 15/08/2023
      ISBN13: 9781666901832, 978-1666901832
      ISBN10: 1666901830

      Description

      Book Synopsis

      Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the gap between ornithological and humanities knowledge. This book contains fifteen innovative essays that bridge various environment-focused perspectives and methodologies in order to include birds in current conversations within the field of animal studies. This collection challenges species centrism, advances a biodiverse ontology, and embraces bird-centered topics as diverse as gaming, comic strips, window collisions, conservation literature, youth birding, mourning theory, and the “Birds Aren’t Real” movement.



      Trade Review

      "These essays constitute an intense and fascinating study of the strangeness of birds and the variety of ways writers and other cultural creators try to comprehend and represent them. This book provides enlightening considerations of what birds do for us culturally—from powering flights of imagination to providing the most accessible entrance to the natural world—and what we do to birds as we mistakenly humanize them and directly or indirectly destroy them."

      -- Sayre Greenfield, University of Pittsburgh at Greensburg

      "Avian Aesthetics offers a valuable contribution to animal studies and the environmental humanities, exploring the 'multispecies entanglements' of people and birds in literature, art and media from a variety of productive angles. The writers collectively make a potent case for the need to think more deeply and broadly about the relations between the human and avian imaginary."

      -- Alex Wetmore, University of the Fraser Valley and author of Men of Feeling in Eighteenth-Century Literature

      “Avian Aesthetics is a careful compilation that is informed by a nuanced understanding of environmental studies, and the particularities of avian studies within. DiMarco and Ruppert establish a firm theoretical framework for avian study while at the same time creating space for a variety of disciplinary approaches. Through incisive and unapologetically tender engagement with avian aesthetics, the collection beautifully expands the scope of what is traditionally imagined as ‘environmental texts’ to undergird the often neglected reality that humans are always at once a part of nonhuman nature, with avian life offering us both a literal and figurative reminder of how fleeting this mutuality can seem in a modern and industrialized world. Traversing genre, ocean, and critical lens, the collection successfully enacts the very principle of entanglement that it seeks to articulate.”

      -- Christine Cusick, Seton Hill University

      Avian aestheticsis an important contribution to the field of ecocriticism, bridging academia and environmentalism, fostering transdisciplinary scholarship, placing birds at the center where they belong rather than the periphery they have sometimes been consigned to. It offers a wealth of perspectives that will be of interest to anyone concerned with representations of birds and human-bird relations in literature.

      * Journal of Ecohumanism *

      Table of Contents

      Introduction: The Continuous Line Between Birds and Humans in Animal Studies Today

      Danette DiMarco and Timothy Ruppert

      SECTION 1 - The Avian-ness of Aesthetics

      Chapter 1: Birdwatching and Wordwatching: The Avian Aesthetics of Virginia Woolf’s Mrs Dalloway

      Jemma Deer

      Chapter 2

      Birds as Character, Motif, Allusion, and Symbol in Meir Shalev’s A Pigeon and a Boy

      Laura Major

      Chapter 3: “With An Aviary Inside Its Head”: Surrealist Sensibilities and Avian Ontologies in the Work of J. G. Ballard and Ted Hughes

      Declan Lloyd

      Chapter 4: The Optimism of Flight: Magical Realism in Little Nemo in Slumberland

      Mark O’Connor

      SECTION 2 - Writing About/Like Birds

      Chapter 5: The Fate of Birds in Anatole France’s Penguin Island

      Timothy Ruppert

      Chapter 6: Of Curlews and Crows: Representations of Avian Cognition in North American Animal Stories

      Jennifer Schell

      Chapter 7: What is it like to write (like) a bird?: Rethinking Literary Practice to Support Avian Subjectivity

      Joshua Lobb

      Chapter 8: Margaret Atwood’s Bird Narratives

      Danette DiMarco

      SECTION 3 - Entangled Worlds

      Chapter 9: The Peregrine: At the Intersection of Ecocriticism and New Nature Writing

      Debarati Bandyopadhyay

      Chapter 10: Helen Macdonald, T. H. White, and Hawks: H is [also] for History

      Louis J. Boyle

      Chapter 11: Across So Wide a Sea: Humans, Seabirds, and the Kinship of Mortality

      Keri Stevenson

      Chapter 12: Collisions in Contemporary American Poetry

      Calista McRae

      SECTION 4 - Consumers Consuming Birds

      Chapter 13: “Their Little Brethren of the Air”: Rhetoric of Youth Birding in the United States, 1890s-Present

      Laura McGrath

      Chapter 14: Birds Aren’t Real: Narrative and Aesthetic Irony in For-Profit Conspiracy

      Lauren Shoemaker

      Chapter 15: Laying Eggs: Ludothematic Resonance and the Birds of Wingspan

      Christopher Moore

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