Description

The founding of the Austrian Film Museum in February 1964 was part of the radical innovations in early 1960s German-language film culture. This work of historical research describes the establishment, development and early critical success of the institution – from post-war Viennese film culture and its protagonists to the tenth anniversary of the Film Museum in 1974. The book evokes Austria's cultural climate and its changes between the late 1950s and 1970s, highlighting the struggles of the two museum founders, Peter Konlechner and Peter Kubelka, who were not yet 30 when they began their endeavor ("juvenile students" in the civil service lingo of that era). The book also touches on international film politics (in relation to FIAF) and on the clashes between Vienna's "actionist" underground scene and the Austrian Film Museum in 1969.

Aufbrechen (German–language Edition) – Die Gründung des Österreichischen Filmmuseums

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Paperback / softback by Eszter Kondor

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The founding of the Austrian Film Museum in February 1964 was part of the radical innovations in early 1960s German-language... Read more

    Publisher: Synema Gesellschaft Fur Film u. Medien
    Publication Date: 22/01/2016
    ISBN13: 9783901644542, 978-3901644542
    ISBN10: 3901644547

    Number of Pages: 224

    Non Fiction , Art & Photography

    Description

    The founding of the Austrian Film Museum in February 1964 was part of the radical innovations in early 1960s German-language film culture. This work of historical research describes the establishment, development and early critical success of the institution – from post-war Viennese film culture and its protagonists to the tenth anniversary of the Film Museum in 1974. The book evokes Austria's cultural climate and its changes between the late 1950s and 1970s, highlighting the struggles of the two museum founders, Peter Konlechner and Peter Kubelka, who were not yet 30 when they began their endeavor ("juvenile students" in the civil service lingo of that era). The book also touches on international film politics (in relation to FIAF) and on the clashes between Vienna's "actionist" underground scene and the Austrian Film Museum in 1969.

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