Description
Book SynopsisThis volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses.
Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance. They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment. The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization, and variety seeking, and a new stage of genre development, genre bending
Table of Contents
1. Introduction 2. Audience Expectations for Film and Television Genres 3. Audience Viewing of the Moving Image—Film and Television Genres 4. A Profile of Creators of the Moving Images as Audience Roles Evolve 5. Audiences Coping with an Era of Content Abundance: Novelty Seeking and Interest Maximization 6. The New Viewing Environment—Matching Genres with Screens 7. Developing Content Theory for Moving Images 8. Responding to the Pandemic in a Streaming Environment 9. Final Thoughts
