Description
Book SynopsisTrade ReviewAn insightful critique of ethnomusicology that challenges its colonialist roots and the resulting inequalities and exclusionary practices. At the Crossroads of Music and Social Justice provides multiple paths to restructuring the discipline around the ideologies of social justice. In the process, the 'new norm' embraces difference—the ideas, opinions, approaches, and priorities of historically marginalized groups. This book turns the discipline on its head with the goal of encouraging ethnomusicologists to engage in self-reflection on how we research, teach and practice ethnomusicology. At the Crossroads of Music and Social Justice is an ideal companion for monographs on the history of the field.
-- Portia K. Maultsby, coeditor of Issues in African American Music: Power, Gender, Race, Representation and African American Music: An Introduction, 2nd ed.
The book's emphasis on a justice-oriented ethnomusicology offers hope. Gathering what could be called testimonio-like narratives by established scholars, the editors work to reimagine the field as one that is justice-oriented and in the process take the pulse of this exciting and necessary discipline. The editors have culled the work of authors to present the pedagogical implications as well as the practice of a social justice approach to the study of music and to performance. They are spot on in grouping the chapters around four main themes: Truth Telling and Listening Lovingly, Radical Inclusivity, Coalition Building, and Direct Action. The contributors' voices build a coherent picture through intriguing explorations of the field and offer new directions toward a justice-oriented ethnomusicology.
-- Norma E. Cantú, Trinity University
Table of ContentsPreface, by Andrew G. Snyder and Katelyn E. Best
Acknowledgments
Introduction: Pathways toward a Justice-Oriented Ethnomusicology, by David A. McDonald
Part I: Truth Telling and Listening Lovingly
1. Diversity on Repeat: The Deceptive Cadence of Social Domination in Ethnomusicology, by Kyra D. Gaunt
2. Social Justice and My Work as a Music Scholar, Teacher, and Artist, by Steven Loza
3. Punk and Politics and Transforming Musical Academe, by Brenda M. Romero
4. Going Forward with Vigilance: American Indian Music is Always There, by Charlotte W. Heth
5. Deliver Me from Danger, Èşù-Elgbára! Musical Offerings in Social Justice, by Paul Austerlitz
Part II: Radical Inclusivity
6. Ethnocentrism 2.0: Hearing-Centrism, Inclusivity, and Musical Expression in Deaf Culture, by Katelyn E. Best
7. Pink Menno Hymn Sings: Queerness, Inclusivity, and the Mennonite Church, by Katie J. Graber
8. Unsettling Euro-American Conceptions of Race in the Egyptian Independent Music Scene, by Darci Sprengel
9. Reclaiming Nanook of the North, Tanya Tagaq's Sonic and Performative Counterpoints to Inuit Stereotypes, by Ho Chak Law
10. "If I Could Go Back in Time": Rethinking Popular Culture, Social Justice, and the Compassionate Gaze in Palestine, by David A. McDonald
Part III: Coalition Building
11. Promoting Social Justice through Traditional Irish Music: A New Model for Applied Research, by Alexandria Carrico
12. The Sonic Politics of Interracial Coalitions, by Susan M. Asai
13. "¡Vamos a Pelear en la Guerra!": Musical Manifestations of Coalition Building in the South Texas Chicano Movement, by Erin E. Bauer
Part IV: Direct Action
14. "Music is Liberation": The Brass Liberation Orchestra and Direct Action, by Andrew G. Snyder
15. Ecological Frictions and Borderless Futures: Art and Activism on a Sailing Ship, by Rebekah E. Moore
16. Raising the Imperative for Direct Action, by Susan M. Asai
17. Circling Back on Direct Action: On Difference and Representation, by Brenda M. Romero
List of Contributors
Index
