Description
Book SynopsisThis book presents a fresh, interdisciplinary approach to the study of the contemporary composer Arvo Pärt and his reception. The volume charts his influence on areas including film, cultural programming, new media, cultures of listening, politics and performance practice. It addresses a wide readership across the humanities, with technical analysis kept to a minimum.
Trade Review'This diverse collection of essays from a team of Pärt scholars, led by Laura Dolp, strongly advances the understanding of Pärt's music while filling gaps in current scholarship and grappling with the various, often erroneous, perceptions of the composer and his music.' Thomas Robinson, Notes
Table of Contents1. Introduction Laura Dolp; 2. Empathy and tintinnabuli music in film Maria Cizmic; 3. Pärt and the sound of one hand clapping Robert Sholl; 4. Pärt and the experience of the neutral Sander van Maas; 5. Ethos and the industry of culture Laura Dolp; 6. An ethnography of spirituality Kythe Heller; 7. Politics and protest Michael Palmese; 8. Sonic embodiment C. J. May; 9. Performing Pärt Andrew Shenton.
