Description

Artists from Matthew Buckingham to Diana Thater address the rich legacy of Robert Smithson’s films, sculptures and Spiral Jetty This is the fifth volume in a series that builds upon Dia Art Foundation’s Artists on Artists lectures. The contributors to Artists on Robert Smithson engage with Smithson’s work in myriad ways: Matthew Buckingham’s essay highlights Smithson’s preoccupation with the ways that histories of the earth are constructed and contested; Abraham Cruzvillegas considers Smithson’s work with broken glass and architecture; Mark Dion’s didactic approach to the life and work of the artist recounts the conceptual and evolutionary conditions that led to his birth and development; Teresita Fernández confronts the limitations of dominant histories of place, art and the monumental; Trevor Paglen considers Smithson’s iconic spiral and his fascination with natural history; Rayyane Tabet weaves together a history of basalt that reveals themes of colonialism, surveillance and strife; and finally, engaging with the science fiction canon and its cinematic conventions, Diana Thater provides a close reading of Smithson’s Spiral Jetty film.

Artists on Robert Smithson

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Paperback / softback by Robert Smithson , Katherine Atkins

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Artists from Matthew Buckingham to Diana Thater address the rich legacy of Robert Smithson’s films, sculptures and Spiral Jetty This... Read more

    Publisher: Dia Art Foundation,U.S.
    Publication Date: 28/04/2020
    ISBN13: 9780944521915, 978-0944521915
    ISBN10: 0944521916

    Number of Pages: 200

    Non Fiction , Art & Photography

    Description

    Artists from Matthew Buckingham to Diana Thater address the rich legacy of Robert Smithson’s films, sculptures and Spiral Jetty This is the fifth volume in a series that builds upon Dia Art Foundation’s Artists on Artists lectures. The contributors to Artists on Robert Smithson engage with Smithson’s work in myriad ways: Matthew Buckingham’s essay highlights Smithson’s preoccupation with the ways that histories of the earth are constructed and contested; Abraham Cruzvillegas considers Smithson’s work with broken glass and architecture; Mark Dion’s didactic approach to the life and work of the artist recounts the conceptual and evolutionary conditions that led to his birth and development; Teresita Fernández confronts the limitations of dominant histories of place, art and the monumental; Trevor Paglen considers Smithson’s iconic spiral and his fascination with natural history; Rayyane Tabet weaves together a history of basalt that reveals themes of colonialism, surveillance and strife; and finally, engaging with the science fiction canon and its cinematic conventions, Diana Thater provides a close reading of Smithson’s Spiral Jetty film.

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