Description
Book SynopsisThis edited volume explores the contribution of migrant and refugee artists to the performance and production of radical democratic citizenship in Europe. Contemporary Europe – ridden by social, political and economic crises, overlaid onto colonial and imperial trajectories, and sharpened by the shockwaves generated by Brexit and the ‘Syrian refugee crisis’ – has become a space in which citizenship and belonging are contested, disrupted, preformed and produced anew. Migrant and refugee artists have audaciously inserted themselves into, and are pushing the boundaries of these debates, challenging and unhinging dominant interpretations of the parameters of European citizenship and belonging. Through contributions from migrant and refugee artists and artists, and scholarly interventions into debates in citizenship studies and poststructuralist theory the volume explores the contribution of artistic production in conditions of displacement and exile to the reimagining of citizenship in Europe.
Table of ContentsIntroduction, Agnes Czajka and Áine O’Brien / Artist Provocation / 1. Art-Activism as a Mode of Citizenship, Gary Anderson / 2. Towards Evaluating Displaced Artists’ Work as Form of ‘Bridging Citizenship’, Mary Ann deVlieg / 3. Leaking Borders: Affective Autoethnography and the Performance of Citizenship, Elena Marchevska / 4. Performing Migratory Identity and Citizenship, Natasha Davis / 5. Migrants Performing Citizenship: Participatory Theatre and Walking Methods: Potential for co-Producing Knowledge, Umut Erel, Erene Kaptani, Maggie O’Neil, Tracey Reynolds / 6. Does the Horizon of the Law Stretch So Far? On Citizenship as Spatial Relation, Agneieszka Kilian
